Procrastination (I’m Writing This When I Should Be Writing Something Else)

Anne Tyler Quote

Anne Tyler might just have a point. Take this post, for instance: I’ve been thinking about writing about procrastination for a while. And what’s the best way to do this? Well, to procrastinate, of course. (I find it’s often helpful to write about things that I’ve experienced first-hand.) Granted, I did have other topics to cover first, which I did. Then I even sat down and wrote a few paragraphs. Which I let sit for five days. Then I came back and erased them all.

Sometimes I don’t write because I have other things to do. I am a very structured person, and as such, I cannot allow myself to write a blog post or edit my novel or read for pleasure when I need to pack my son’s lunch or send an important e-mail or wash a load of laundry. But sometimes I don’t write because… well, maybe I’m just wasting time on Facebook. Granted, I don’t do that too often – and I even got rid of all the games on my phone to eliminate those distractions – but there are still plenty of times when I should be writing, but I do things that could easily wait until later instead.

If such a self-disciplined person as me has a hard time staying on task, what hope is there for writers who aren’t nearly as structured to ever start the writing process?

I have a two-part answer, and the first part is that I think it’s a me thing, separate from being self-disciplined.

This isn’t something that’s just happened to me since having kids. It’s something that’s gone on as long as I’ve written. I remember spending afternoons at my parents’ business, pacing through the same four rooms, building scenes in my mind, sometimes even muttering the lines. I would hash over those same scenes ad infinitum. I still do this, although nowadays, I’m not a teenager with a bunch of free time but a mom who squeezes all of her creative thinking into stolen moments in the shower or car or while folding laundry.

The second part of my answer is that thinking is a part of the writing process – or any creative process. Now, the problem is that if you don’t ever move beyond thinking – to the actual doing part – you are not a writer or a painter or an inventor (or whatever) but merely someone who aspires to be one of those things.

Philip Pullman Quote

Thank you for making my point, Mr. Pullman. And my problem is that I don’t always take my ideas to my “desk.”

Sometimes I’ll think over a scene so much that I just assume I’ve written it. And then, as often happens, I’ll move onto something else. Months or even years later, I may look for that scene, only to discover that it was only ever in my head. Other times, I do sit down to write, but the words that were perfected in my mind have all but evaporated. Or they just don’t ring true anymore. Something has changed between the initial thinking and the writing.

Madeleine L'Engle Quote II

Well said, Ms. L’Engle – and the same thing can apply to blogs. But I don’t think it’s a totally bad thing. I think internalizing a scene or some dialogue or just an idea is all a part of the writing process. As long as I do eventually sit down and write (like I’m doing right now), it adds up to the creative whole.

Earlier this week, I discovered an incongruity in my novel. A scene hinged on my protagonist having an opinion based on a conversation she overheard. Unfortunately, I realized this conversation happened when she was three or four and would have been way over her head at the time (if she’d even been paying attention). I had to re-work the scene, keeping the content but changing how it happened. I couldn’t move on until I’d fixed the scene, and I had to think it through first. For several days.

I’ll admit, I was a little intimidated by it. When you realize that you’ve created a problem that you have to write your way out of, sometimes the easy way out is just to give up – set the manuscript aside. And I’ve done that before, but I can’t with this one because I’m shopping literary agents. I had to tackle that scene, and after letting it simmer and then reading a few scenes around it, I figured out a solution.

Madeleine L'Engle Quote

Yet again, I feel like Madeleine L’Engle is talking to me. I am that woman with children and another job – a woman who wants to write, who needs to. After all, I can only procrastinate so long before the creative dam breaks. I have legitimate distractions, but I also have stories to tell. So I will continue to fight myself but understand that sometimes it’s okay to just think – as long as I do carve out that time to take my ideas to my desk-slash-laptop.

Speaking of which, I think it’s about time to wrap this up so I can get back to it.

How Do You Know What to Cut?

Last year I asked a number of beta readers to read my 120,000-word NaNoWriMo 2013 novel. After receiving an excellent critique from one of these beta readers, I shared with him how annoyed I was that I was somehow supposed to cut my word count in half. “What would you cut?” he asked. He understood that the novel had issues that needed to be fixed, but he didn’t think length was one of them. He couldn’t fathom how I could drastically cut yet keep the same story.

But I’ve done it. (Well, I haven’t cut it in half, but I’ve cut over 40,000 words.) When he recently offered to read the edited version of my novel, the question changed to, “How do you know what to cut?” My friend is simply curious and fascinated about the writing process, but many writers want to know the same thing. Lost, they wonder if they can cut and still keep the integrity of their stories.

It comes down to more than just correcting typos. Typos I can fix all day, and in fact, I was the queen of clean copies back before I took my first fiction workshop. Clean copies that weren’t all that great to read, as it turns out.

After my first story was critiqued, I discovered that I wasn’t the prodigy I’d always imagined myself to be. I assumed, at first, that people just didn’t get what I was trying to say. It was their problem. It was humbling to realize that they didn’t get me because my stories were a mess.

The credit goes to Ari, who led those fiction workshops. Much of how I write and edit today goes all the way back to those seven semester-long workshops that I took from 2002 to 2005.

Reading others’ stories and discussing them brought to light so many issues that are common among many writers, not to mention learning a lot of tough lessons when my own stories were critiqued. Ari has all kinds of pet peeves, and to this day, I don’t think I’ve written a sentence that starts, “As he went to the fridge” or “As she tied her shoes.” That particular type of sentence drove Ari nuts, and I guess it’s because it shows up so often. The point isn’t to avoid that one kind of sentence but to be intentional. Don’t fall into the trap of using the same sentence structure over and over again. You’ll find yourself on the slippery slope to lazy, sloppy writing.

Showing instead of telling was another biggie. (You can read more about that here.) I used to be the type of writer who had to describe the layout of every room and the outfit of every character. Was this necessary? Nope. That’s not to say that all descriptions are bad, but what you write must add to the story.

For instance, Harry Potter’s lightning scar, green eyes, and trademark glasses form a quick mental picture, and the scar and eyes have their own stories. But is it important to know what brand of jeans or what color shirt he wears? Do we need to know every single item he keeps on top of his dresser? Only the ones that may come up later. Why? Chekov explains it so well: “If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it’s not going to be fired it shouldn’t be hanging there.”

Eragon and its sequels are popular young adult novels that run to excess when it comes to descriptions and scenes that don’t move the story forward. Each book could easily be cut by tens of thousands of words. Some descriptions are helpful. We’re dealing with a fantasy world, after all. But too much bogs down the text, gives it a plodding pace. I enjoy these books, but I know I have to invest a lot of time when I want to read them. Not because they’re thick books but because there’s a lot of unneeded padding packed into those pages.

You may have heard the phrase, “Kill your darlings” (attributed to just about every well-known writer, and it’s because they all know it’s true). Does this mean that I need to cut every word, every line, every scene that I’m proud of? Well, not quite. But what it does mean is that writers often get attached to bits of prose that ought not be included in the manuscripts where they currently reside.

Ugh. But I worked so hard on that scene. The words flow beautifully. If there’s one thing I won’t cut, it’s that line…

I’ve been there and cut that. My trick to save myself from writer’s remorse is to save all major revisions as separate documents. Then I don’t feel quite as bad about nixing a line or scene when I know I can go back and paste it in again. Which I’ve done.

It takes a certain willingness to cut any- and everything that is not essential to the story. It takes a thick skin when you realize what you cut the first time wasn’t enough (even if it was a lot), and you have to go back and perform major surgery again. It also takes a certain editorial know-how, which may mean that you’ll either have to hire an editor or babysit your favorite reader’s kids for the next five years. Even if you’re a proficient editor, I highly recommend beta readers. (Just be ready to read their stories, too. It’s only fair.)

As Stephen King recommends in On Writing: A Memoir of the Craft, temporal distance also helps. Take a month off; then come back to a manuscript with fresh eyes. You’ll be surprised at the number of throw away scenes that seemed brilliant at the time but are really just filler – and conversely, the number of excellent scenes you’re surprised you actually wrote. (And while we’re talking about On Writing, which I highly recommend you get, King also gives an excellent example of a block of text before, during, and after editing, so you can see the actual process.)

You may notice, after coming back to your story after a break, that you don’t like your opening chapter. You don’t even need that first scene, in the grand scheme of things. Or maybe it belongs much later. Be open to not just cutting words out of sentences, but restructuring completely. We’re not just talking a face lift or a nose job. We’re talking vivisection. It’s going to be messy, and it’s not going to look like the story you started with, but as I reassure everyone who’s read my beta novel and liked it, I haven’t changed the content, unless I improved it.

Last, please read your text aloud. I know it’s difficult if you have a full house and little privacy, but you really need to do this. You will be surprised how good something sounds in your head but how terrible it sounds when spoken. You’ll notice where you start to bore yourself. Or if you read aloud to another person, you’ll see where you lose your audience.

In all of these ways, you can transform a story, for instance, that opens with a girl thinking about how scared she is and how much she misses her old life (and why) to a story that puts the thing she fears on her doorstep and makes her take action.

How’s Your Writing Going?

When I was 25, I met a friend for coffee on one of her infrequent visits home. After being inseparable as kids, we eventually drifted into our different lives. Hers seemed glamorous to me: she’s a debutante who attended an Ivy League school, then traveled abroad to pursue other degrees. She drives the most expensive sports cars and vacations all over the world. When she called and told me she was in town, I couldn’t turn down the chance to catch up with her.

I knew we wouldn’t be able to meet long because my 11-month-old son would be up from his nap soon. I was so happy to see her – and impressed with myself for losing all my baby weight and then some – that I never thought how plain I would look in my jeans and t-shirt next to her designer outfit. I never thought she’d care to know what I’d been up to. What was there to say? I’m a mom. After catching her up on baby news (which doesn’t take long when you’re talking to someone who doesn’t have kids), she asked about my writing.

Writing? What writing? Oh, wait, you mean how I thought getting a degree in English would set me on the path to bestseller-dom? While I kept up with my daily journal, my fiction had gone the way of the dinosaur. I wouldn’t call it a slump. It was just that I was busy and happy not writing. After I missed the “published author” mile marker on the highway of my life, I moved on to “starting a family” and didn’t look back. Yes, I still wrote, but it wasn’t the kind of writing that kept me up at night.

And that was so not how I had envisioned my life – to be unpublished and happy. By the time I was 13, I knew that I wanted to make a living writing novels. I had no inclination to get a regular job and write after hours. I wanted to provide for my family through my books. And I was naive enough to think that I could go to college and get an English degree, and somehow, I would be in that perfect position to fulfill my dream.

Here’s what I often imagined: a home office overlooking a fenced-in backyard, where my future, well-adjusted children would run around and play, allowing me to work in peace. And then we would go out for ice cream and a movie, and we would take vacations whenever we wanted, and if my husband decided to get a job, it would just be because he wanted to, not because we were dependent on his salary.

Obviously, I had no idea what being a parent or an adult is really like, much less how the publishing world works.

But by 25, I was well aware of the perils of the publishing world. I’d already received rejections from literary agents. I’d even gone through a period when I thought maybe I couldn’t write. Maybe I would just be an editor, but I got over that when I realized that I simply hadn’t found my voice yet. After I did, I found joy in writing again. But I still had nothing to show for it, other than the title of “Editor-in-Chief” for a fledgling literary journal.

My entire writing “career” has been full of these ups and downs. I do actually make money as a writer, but it’s certainly not enough to buy us the house with the big yard and to keep my husband from having to work. It’s my lack of steady employment that makes him have to work so hard to pick up my slack. Part of me wishes that I’d gone to work for a newspaper or local magazine or even a small publisher. I would be able to carry more of the financial load, although that’s not at all the kind of writing that feeds my soul.

Yet despite being married to a starving artist, my husband believes in me. That doesn’t mean he thinks I’ll make millions, but he’s always my first reader, and even though he protests that he never knows what to say, I can always trust him for an honest opinion. The book that I’m shopping around right now is the best thing I’ve ever written, but just because it’s the best thing I’ve produced to this point doesn’t mean it’s perfect – or anywhere close to the best thing out there.

Amidst editing and querying and doing a whole lot of work that could amount to a lot of nothing, I finally asked him if I should even bother. I’d been gearing myself up to ask for several days. He loves me, but he’s not afraid to give me the painful truth. He told me it’s a good story, and he wants me to get recognition for it (although that in no way guarantees anything about getting it published).

Then he asked me if I would quit writing, even if it wasn’t any good.

While I would certainly quit wasting both my and the literary agents’ time by querying, I would never quit writing because it’s my outlet.

I still have that dream of making a living as a novelist. I still want to have a positive answer when I meet with a friend for coffee. If she were to ask me this week how my writing is going, my answer is that it’s great. I’m editing a story I love and that I know has potential. It still needs work, but maybe someday…

Here’s a quote from Sylvia Plath that I found earlier this week:

And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.

I have the guts and the imagination, but I also have self-doubt. It’s what made me ask my husband if all this was worth the effort. It’s what makes me cringe when someone looks at me expectantly, like, “Well, you wrote a novel, why isn’t it in bookstores yet?” I think self-doubt is healthy because it makes us look honestly at ourselves. It’s only harmful when it turns into a loss of confidence; then it’s apparent in your writing and your outlook and can turn into a self-fulfilling prophecy. What self-doubt should do is help us re-evaluate our goals and adjust them to be realistic.

I think the enemy of creativity is really regret. Getting to a certain point and wishing you hadn’t done what you’d done. While I sometimes wish I’d done something to augment my position, I certainly have never regretted writing. If my stories never see the light of day, at least I was happy creating them.

***

Before you go away thinking that my sweet friend didn’t understand me at all and didn’t care about my life, let me tell you her response to my lack of stellar news. She said, “But you’re a mom.”

She said it with admiration and almost reverence. Yeah, I’m a mom. And quite often a writer mom. Like I said, no regrets.

Just When I Thought I Was Done…

Edit your manuscript until your fingers bleed and you have memorized every last word. Then, when you are certain you are on the verge of insanity… edit one more time!           –C.K. Webb

 

English: Manuscript fragment from Chapter 14 o...

Editing (manuscript fragment from chapter 14 of Herman Melville’s The Confidence-Man/photo credit: Wikipedia)

 

You guessed it. In the midst of querying, when I’m supposed to be done editing, I’m still editing. As a friend once told me (and I’ve heard it echoed by numerous other writers), you will always find something you want to fix with your manuscript.

I thought I was done; truly, I did. After all, I put my novel through a lot. Before I let anyone lay eyes on it, I edited out the embarrassing first draft kind of garbage that no one needs to see. Then I distributed it to beta readers. The feedback was incredible, allowing me to make more much-needed changes.

Amidst these changes, I signed up for a workshop with a team of literary agents, in which I had the opportunity to really work on the first 10 pages. After all, the first 10 pages may be all anyone ever sees if they don’t compel people to keep reading.

So I got my criticism, swallowed it even though it tasted bad, and I changed my book some more. One comment was that my manuscript was much too long, so I cut over 30,000 words. With a new ending and lots of proofreading under my belt, I figured I should quit procrastinating and start querying.

Nowadays, the majority of literary agents ask for a sample of the manuscript. The most common request I’ve seen is for the first 10 pages, although the odd agent wants 20 or the first three chapters. (Some even ask for the entire manuscript, bless their hearts.) The theme seems to be that they want to see a significant enough chunk to get a good feel for how the rest of the book will (or won’t) flow.

I was a little stumped when I found an agent who only asked for the first chapter. After I cut and pasted that one lonely chapter into my e-mail query, I realized that it wasn’t an adequate representation of my story. Without the next few pages to go with it, the pacing was too slow, and it ended in a bad place. I had edited it down from a much longer first chapter. Also, when I was concentrating on 10 pages, I didn’t pay much attention to how the first chapter ended because the first 10 pages went well into chapter two. I should have made sure that chapter one had an enticing ending. You know what the last word of that chapter was? “Okay.” Which is not okay, unless you’re John Green.

Thus began revision number four.

A couple years ago, while querying a different novel, I decided that I would make absolutely no changes (unless I found a typo) on my manuscript during the querying phase. I sent out 10 at a time, and it wasn’t until after each round of rejections that I looked over my query letter and manuscript for ways to improve.

This time, I’m making corrections as I go. Never have I made so many changes from one query to the next. If an agent happens to like the version of my book with an anticlimactic ending to the first chapter, I have that version saved. But I’m not going with the status quo anymore. I will not sit around and say, “Oh, it can wait.” It could be that the agent who’s right for me is the next one I query, and if that’s the case, I don’t want to send a chunk of my book that I know I can improve.

Painful? Yes. And I love editing. But it’s hard to think, I’ve done all I can do, only to look back and see that you didn’t.

This likely means more drastic cuts for my book. I’ve already come to the realization that I may have to trim it by another 10,000 words-plus in order for anyone to even give it a serious look. Do I think the word count alone should be the deciding factor over whether my manuscript it rejected or accepted? Absolutely not. (And I’ve climbed on that soapbox before.) But I also think that it would be a mistake to grow complacent.

So it’s time to continue cutting, revising, and searching. The right agent is out there, I know it. It will just take a more vigilant search than last time, and I have to be willing to do my part to earn a contract.

It’s Query Time

Sometime between 2004 (when I first started querying literary agents) and now, there have been drastic changes in the publishing industry. When I first started, e-queries were a no-no. In fact, they were hardly mentioned on agents’ websites (if they had websites). I snail mailed every query with an SASE, which I wasn’t guaranteed to see for months, if at all (which always drove me nuts – I paid for the stamp, so please send it back). Very few agents accepted simultaneous submissions, and every query how-to that I read stressed the author bio part. Like the more creditability you have, the better your chance of landing an agent. So if you’re unpublished, good luck.

For a while, I didn’t change anything about the way I queried. I took time off to have a baby. Then I wasted almost two years with a scam artist for an agent (read about that here). After that, I didn’t much care for agents for a while and quit looking.

Then I immersed myself in the world of e-publishing – writing articles online for people I’ll never meet in person, publishing e-books that will never be printed. I felt up to braving the sea of rejections again and began researching query letters, figuring that I had to do something different than before.

Lo and behold, many of the “standards” of query submission from ten-plus years ago are now the exception rather than the rule. Most agents prefer e-mail submissions, and only a handful ask for exclusive submissions. In fact, more than one agent I’ve read about has said exclusive submissions are ridiculous because you could easily spend years and never get anywhere. Well, I’ve been there and done that.

With all this talk about querying, you can guess what I’ve been up to lately. Yep, I finished editing my 2013 NaNoWriMo novel (again), and I began looking into agents this week. Querying is one of the most challenging aspects of the writing process. Don’t get me wrong, I love reading about the agents and imagining how great it would be to work with this or that one. Except that imagining is as far as it’s ever gone. (The scammer that I had met exactly zero of my expectations, but I was so enthralled with the idea that I HAVE AN AGENT that I kind of pushed all that aside.)

As I’ve heard various agents say numerous times, it’s not the query that wins the contract but the book. The problem is, of course, that if you bomb on the query, your book may never even get a cursory glance. So I’ve always felt that pressure to write the perfect query letter. I’ve done my best to make them personal. But not only did I have exactly zero positive responses last time I queried (no surprise), I didn’t even get responses from the majority of them. One was an agent with whom I’d worked before. I queried her twice. Nada.

So this time, after stressing more than I should have about what to write and how to write it (and coming up with a great hook but forgetting to write it down), I went online to brush up on Query Writing 101. There are more good resources out there than I can count. Many of them agree on the basics (like the order of the paragraphs doesn’t matter, but when you do talk about your story, it better have a great hook), and they usually give examples of both good and bad queries. The bad ones are great (read one here). Not only will you laugh at the sheer stupidity of some writers, but the number of real, terrible queries gives me hope that one of these days, I may stand out from the masses.

The problem is that it doesn’t matter how many good queries you read, you can’t just switch out the words that apply to your book and call it good. Every writer and every story is different. I remember feeling hopeful when I read Stephen King’s On Writing because he uses a great query example, but I could never make that format work for me.

The absolute best resource I have found for writing queries is in literary agent Mary Kole’s book Writing Irresistible Kidlit. As the title suggests, it’s mostly about the writing process for middle grade and young adult writers. But as an agent herself, Kole does her readers a favor and devotes an entire chapter to query do’s and don’t’s. She also gives an example of a real query letter that worked, with lots of commentary about why.

The part that helped me the most is the section in which she boils down how to write the novel summary by answering five questions. I’ve done this exercise with two novels now, and not only does it show where your story has holes (if you can’t answer the questions easily), but it also gives you an easy way to summarize and not go on for pages and pages. Even if you don’t write kidlit, I would recommend this book just for the query chapter.

So I wrote a basic query for my novel that I will customize according to the agents I choose. I cannot stress enough that reading submission guidelines is an absolute must. Not only do you want to make sure you send exactly what the agent wants, but sometimes one agency may want you to include something in your query that you haven’t used before. This happened on my latest query. The agency wants to know why I’m the best writer for this book. It gave me the opportunity (although a very brief one) to explain how my story came to me.

It also seems that literary agents are less concerned with your credentials (for instance, some say that you should minimize publications that aren’t related to what you’re querying). Of course, if you’ve won an award, that’s always good information to have on your side. What they would rather hear is that you have a good grasp of your market. Although they don’t come out and say it, I believe this is because writers are expected to do more marketing than ever before. And if you don’t know your audience and what they like to read, you have little chance of selling your novel.

At the same time, it’s an absolute no-no to write a wizard book and then send a query saying you’re the J.K. Rowling of the next generation. I scanned my bookshelves and was surprised to find a number of non-Harry Potter books that had elements similar to my own story. My husband even made a great suggestion about a book with a character who shares some of my protagonist’s strengths. More than ever, the idea that you need to read voraciously in order to write is very important.

So that’s what I’m going to do: read, write, edit… and query. Wish me luck!

Done!

The setup for NaNoWriMo at home, if I need to ...

Ready to Write (Photo credit: Wikipedia)

Have you ever had a goal that seems to hover just out of reach? I’m talking about those last five pounds that you can’t shed, that last $1000 of debt that hangs over your head, that last month of pregnancy when everyone assumes you should’ve had the baby, yet you feel like it’s never going to happen.

I’ve been through all of those and more, but that’s not what I’m talking about this time. Nope, I’m talking about a writing goal.

That’s right, it’s the end of NaNoWriMo for Sarah!

If you happen to know what NaNoWriMo (National Novel Writing Month) is, you’re likely thinking, Aren’t you a couple months late, Sarah?

Yeah, yeah. I know that NaNoWriMo was officially over when the clock struck midnight, marking the end of November and the beginning of December. And I’d already “won,” which means that I wrote a 50,000-word novel in the month of November. (Actually, I wrote just over 61K.) But that didn’t mean I was done telling the story.

Last year, I also didn’t “finish” in November. I was certainly on a roll, writing 80,000 words in 30 days, but it took me 10 days into February to finish the first draft. I never slowed down the whole time; there was just so much story to tell.

This year’s NaNo was the sequel to last year’s. For months, I looked forward to continuing the story, but when it came to November, I struggled. I had the initial outpouring, which lasted for several thousand words, but after that, it was as if my muse had gone on vacation and at precisely the worst time.

So I “won” because I won’t sign up for something and then give up. But it was hard. I felt like the majority of what I wrote was just crap that would end up on the cutting room floor. I knew that if this were just any old novel, I would let it sit on the back burner and wait for my inspiration to return. I’m the queen of unfinished novels; I have more half-done manuscripts than I care to think about, and although I hate to admit it, I know that many of them will remain incomplete.

The difference with NaNoWriMo is that, after working so hard to get 50,000 words out, it seems like such a waste to just let the manuscript sit, unfinished. Even though it took two-plus extra months last year, I finished, and I think it’s the best novel I’ve ever written. And since this year’s novel was the sequel, I had to keep going.

Since it was such a tough book to write, I figured it would wrap up quickly and likely well under 100,000 words. Then I could sit back for a month, let it percolate a little, then return and make it worth reading after a hefty revision. To my surprise, a number of brainwaves hijacked my story when I thought I should be long done. The muse was back, although a month late. I continued writing and could see the end, but I couldn’t seem to reach it.

This past week, I had a couple 3000-word nights. My word count raced past 100,000 and didn’t look back. But still, I wasn’t done. I’d already told myself that I would absolutely finish this week. January is the month I had set aside to finish editing 2013’s novel and start querying agents, and here it is the 24th. I couldn’t let the 2014 novel hang over my head any longer. (Plus, I needed something to blog about.)

So last night, after the kids got to bed, I sat down and did some serious writing – 7000 words, to be exact. I’d joked with my husband that it would likely be a 2:00 A.M. bedtime. In reality, it was after 3:30. But I finished! I am worn out but feel so accomplished. I finally caught up to my goal, and I haven’t quite wrapped my head around it yet.

Now I get a month off from that book. And at the end of that month, I’ll go back and do a lot of cringing and cutting, and hopefully I’ll end up with a manuscript that’s at least 20,000 words shorter and worth sharing.

And in the meantime… I need a nap.

Happy 2015 Book List!

Score! Christmas Books

Score! Christmas Books

The past two years, I’ve created lists of books that I hoped to read in the upcoming year, and here I am, doing it again. 2014’s list was much more ambitious than 2013’s (23 books versus 14), and I am proud to say that I finished 17 of them. And I even got way sidetracked for a while. (Some of the books that sidetracked me I won’t ever read again, but at least they gave me blog fodder.)

I enjoy making this list just after Christmas because this is the time of year when people get generous and give me books, gift cards to bookstores, or both. This year being no exception, I am prepared to meet 2015 with lots of new fiction.

New Books!

New Books!

First of all, I am going to vow right now that 2015 will be the year that I finish Christopher Paolini’s Inheritance Cycle. It’s been on my list two years now, and I just can’t leave those books hanging any longer. The first three are slow-paced, but my husband assures me that the last one really picks up, so I’m just going to knuckle down and read them.

A wonderful thing that’s happened in the past few months is that my first grader has gotten into chapter books. It wasn’t until he was almost six that we realized that he has several learning disabilities, and he’s a poor audio learner, so reading books without pictures went right over his head. But since we’ve been helping him with his working memory and dyslexia, I’ve noticed a huge improvement in his reading ability and comprehension. This summer, I plan to start reading Harry Potter to Peter, and I hope he gets as much joy out of that series as I do.

If you’re interested in reading my previous years’ fiction lists, here are 2013 and 2014, and here are the books that I actually finished in 2014:

The Rim of the Prairie by Bess Streeter Aldrich

The Hunger Games by Suzanne Collins

Catching Fire by Suzanne Collins

Mockingjay by Suzanne Collins

The Maze Runner by James Dashner

The Scorch Trials by James Dashner

The Death Cure by James Dashner

The Kill Order by James Dashner

An Echo in the Bone by Diana Gabaldon

Outlander by Diana Gabaldon

The Graveyard Book by Neil Gaiman

An Abundance of Katherines by John Green

The Fault in Our Stars by John Green

Looking for Alaska by John Green

11/22/63 by Stephen King

The Girl with the Dragon Tattoo by Stieg Larsson

The Girl Who Played with Fire by Stieg Larsson

The Girl Who Kicked the Hornet’s Nest by Stieg Larsson

The Host by Stephenie Meyer

The Lost Hero (Heroes of Olympus, Book 1) by Rick Riordan

The Son of Neptune (Heroes of Olympus, Book 2) by Rick Riordan

The Mark of Athena (Heroes of Olympus, Book Three)
by Rick Riordan

Insurgent by Veronica Roth

Allegiant by Veronica Roth

The Casual Vacancy by J.K Rowling

Mark My Words: Mark Twain on Writing by Mark Twain

And here are the books I plan to read this year:

And Another Thing… Douglas Adams`s Hitchhiker`s Guide to the Galaxy Part Six of Three by Eoin Colfer

The Hunger Games by Suzanne Collins

Catching Fire by Suzanne Collins

Mockingjay by Suzanne Collins

Written in My Own Heart’s Blood by Diana Gabaldon

The Cuckoo’s Calling by Robert Galbraith (aka J.K. Rowling)

Let It Snow: Three Holiday Romances by John Green, Maureen Johnson, and Lauren Myracle

Paper Towns by John Green

Will Grayson, Will Grayson by John Green and David Levithan

Lisey’s Story by Stephen King

The Giver by Lois Lowry

Gathering Blue by Lois Lowry

Messenger by Lois Lowry

Son by Lois Lowry

Eragon (Inheritance, Book 1)by Christopher Paolini

Eldest (Inheritance Cycle, Book 2) by Christoopher Paolini

Brisingr (Inheritance Cycle, Book 3) by Christopher Paolini

Inheritance (Inheritance Cycle, Book 4) by Christoopher Paolini

The House of Hades (Heroes of Olympus, Book 4) by Rick Riordan

The Blood of Olympus (Heroes of Olympus, Book 5) by Rick Riordan

Divergent by Veronica Roth

Insurgent by Veronica Roth

Allegiant by Veronica Roth

Four: A Divergent Collection by Veronica Roth

Harry Potter and the Philosopher’s Stone by J.K. Rowling

The Hobbit by J.R.R. Tolkien

The Book Thief by Markus Zusak

I know it’s a long list, but I have lots of hope to finish a good number of these. Some are brand new, some beloved repeats. And I hope to be interrupted by books as yet undiscovered. (I’m always up for suggestions!)

Happy reading in 2015!