If It’s Good Enough for Madeleine L’Engle, It’s Good Enough for Me

In several recent blogs, I’ve quoted Madeleine L’Engle, and for good reason. If you have not yet discovered her (she passed away a few years ago, although her writing lives on), I encourage you to click on any of the links or book covers in this blog. I will talk a little about how she has inspired and encouraged me, but there is so much more than I can include in one blog.

I credit L’Engle with one writing practice that I’ve kept up with for five years now, journaling. A lot of people poke fun at me about it, as if I’m ten and writing about the boy I have a crush on. But journaling is so much more than “Dear Diary” entries. It’s something that I can do with total honesty, without the fear of criticism or rejection, something that I can turn to later and either laugh at myself or marvel at how much an experience shaped my life.

It wasn’t Madeleine L’Engle who introduced the idea to me. Someone gave me my first diary when I was barely old enough to write cohesive sentences. I still have it, with a pink cover on the outside and the progression of my wobbly handwriting through the beginnings of cursive on the inside. It wasn’t a regular thing, but something fun for me to do from time to time, something that made me feel grown up. As a teenager, I tried to keep a more regular journal, but I eventually gave up and checked in maybe once every few months or years to say, “Yep, I graduated from high school” or “Wedding date set for next summer.”

Then in early 2007, I found out I was pregnant. I owned a number of books that I still had not read, and I knew that there was a chance that a new baby would occupy most of my reading time. Included in the list of unread books were a handful of Madeleine L’Engle’s, starting with her famous A Wrinkle in Time. There was also one entitled Madeleine L’Engle Herself: Reflections on a Writing Life (Writers’ Palette), which is a compilation of material from her writings, speeches, and workshops. Before I even finished the book, I adopted the journaling habit with renewed enthusiam and vigor.

L’Engle gives three recommendations to writers: “read, keep an honest journal, and write every day” (188). Reading wasn’t a problem. And I wrote when I had the time or when inspiration struck, often in spurts. But journaling? I recalled my poor, neglected blank book (I did actually graduate from the pink cover to a Star Wars one at some point), and I had no idea when I’d written in it last. When I finally found the book, I realized that if anyone were to pick it up, my life would seem full of holes. There were many significant events that I had not bothered to document. Organizer that I am, I went through all my old calendars, looking at all that had happened in the years since I’d kept my journal somewhat faithfully, and I began the act of recording. Well over a month later, I sat in a hospital bed, waiting to welcome my first child into the world, and I finished catching up. I’ve kept it up daily ever since.

Sometimes I simply go through the motions: “I woke up late today”; “It was a typical Tuesday”; “I’m too tired to think straight, but here I am, anyway.” If I’m so busy that I hardly have time to pause and write in my journal, it’s even more important that I force myself to do so. Otherwise, it might be a day in which my writing skills become stagnant. Like playing scales on the piano or stretching before a run, this practice is necessary to keep a writer primed. I’ve gone months at a time when my journal was the only place I wrote, and I’m thankful that I had it. So ingrained is the practice now that not doing it would be like forgetting to brush my teeth.

I don’t know what inspired me to do so, but I recently re-read Herself. Due to its format (most sections are less than one page), I absorbed it one idea at a time and over the period of a couple months rather than a few days. If I came away with the discipline of journaling five years ago, I left with so much more in the way of writerly advice this time around. I think it’s safe to say that my blogs will contain quotes from her for a while. I admire her for her strength as a person as well as a writer. She stuck with her chosen vocation through a decade of rejection (and she’d already published successfully before that), which inspires me to hold on and persevere through the unfriendly publishing world.

Page 34 says, “Being a writer does not necessarily mean being published. It’s very nice to be published. It’s what you want. When you have a vision, you want to share it. But being a writer means writing. It means building up a body of work. It means writing every day.” Many people, knowing that I write but was (for the most part) unpublished called me an aspiring writer. Lack of publication, however, makes me no less of a writer. It’s writing that is the qualifier here. L’Engle gave me permission to call myself what I really am.

One final thing (and I’m culling the list quite a bit here) is her knowledge on writing for children. I do not consider myself a writer for children, per se. In fact, the two stories that I have published (one out of print, the other here at Smashwords.com) are not for children at all, although they do have children as secondary characters. If you’re familiar with A Wrinkle in Time, a book that is included in the elementary school curriculum of many schools, did you know that L’Engle did not originally write it for a young audience? She simply wrote it, and it was categorized for children later. “To write for children,” she says, “it usually synonymous with writing down to children, and that’s an insult to [them]. Children are far better believers than adults; they are aware of what most adults have forgotten” (157). I certainly want to write for an audience who believes, so that is the goal I keep in mind when I write. And on that future date when someone (I hope) finds my book worthy of publication, I can worry about which age group wants to read it.

Why Is It That I Write, Again?

Week 4: Back to work tomorrow

Back to work tomorrow (Photo credit: Mish Mish)

I’ve been bad again. It’s been almost two weeks since I blogged, but I promise, I have a good reason. A couple, actually. (Wait, didn’t I say that last time? Hmm.)

Last weekend, when I thought I had all the time in the world to read and write and do all the things I wanted to do, my husband and I spent almost an entire day buying a car. When we were on vacation, no less. I mourned the loss of my Saturday, and my Monday as well, because I knew I would have a lot of new car business to take care of when we got home. That’s a pretty good reason, right?

So what in the world have I done this weekend that kept me from blogging? We didn’t go out of town. Actually, other than a trip to the store and church, I’ve been sitting around in my PJs just about all weekend. The big writing project for this week was to get a short story published online. I thought, worst case, I’d have it done Saturday morning, leaving the rest of my weekend for other projects. Ha. You’ll probably notice I haven’t done it yet. Aside from revising my story multiple times, questioning myself with every deletion and addition, I had to research e-publication itself. As a traditional print kind of gal, this is unknown territory. I’m still not done (I had no idea how different formatting would be for the web), but I know a lot more now than I did at the beginning of this project.

The problem is that life just gets in the way. Maybe if I lived in a bubble and could devote sixteen hours a day to writing only, I’d have a dozen novels written by now. But then again, if I lived in a bubble, with all the time in the world to pursue my writing goals, what in the world would I have to write about? Certainly not that my evening got hijacked when my almost-toddler pulled up on some shelves that were a little too rickety, pulling them down in the process. After that, I had to figure out what in the world to do with all the stuff on those shelves, find other places to stash things. In the end, I spent an hour or more cleaning, organizing, throwing out piles of junk that my hoarding four year old has collected since the last time I did a major overhaul. As a writer, I have nothing to show for my lost evening, except this blog, I suppose. But as a slightly OCD mother, I have a dining room table that can actually be dined on now, baskets of neatly organized toys, and a garbage can that I hope my son won’t look into until it’s been emptied.

I have to ask myself if life gets in the way of my writing or if writing gets in the way of my life. I would be lying if I denied that writing is a huge part of who I am. It is what I do as well as what I love. More often than not, I am not paid to do it, yet I continue. I have little choice in the matter; it’s a compulsion. Sometimes I feel that if I don’t write, I’ll explode. Actually, that’s why I’m blogging right now instead of figuring out how to format my story for e-publication.

I don’t think there’s a pat answer for me or anyone else out there infected with the writing bug. We just have to continue, sometimes exasperated when life throws a roadblock on our neat little writing path. But I would hate to miss those moments when my son tells me how much he loves our new car, or when the baby pulls up on a cheap shelf and wobbles his way across the room. Aside from giving shape and meaning to my life, those could be essential elements in my next story.

Read the Submission Guidelines First, Folks

Teen and Young Adult Fiction

Teen and Young Adult Fiction (Photo credit: Blue Train Books)

I haven’t kept up with my blog this past week, but it’s for a good reason, I promise. Or at least the original intent was good.

You see, a writer friend posted something on Facebook about Harper Voyager, an imprint of the publisher HarperCollins, allowing unagented submissions of science fiction and fantasy for the first two weeks of October. When I first read it, I thought it was too good to be true. But then I saw that it included young adult fiction, and I have a young adult fantasy novel that I’ve been peddling to different agents for years. Two babies and an almost-two-year stint with a scammer agent have caused several hiccups on my road toward hopeful publication, but I recently became enthusiastic again. And why search for an agent if a publishing house is seeking submissions?

There was one stipulation that made me hesitate, and it was that the manuscripts that are chosen will be printed digitally. My dream has always been to see my book on a shelf in a bookstore or clutched in an eager reader’s hands, but I figured I had nothing to lose. Getting my foot in the publication door in any way possible would segue into traditional publishing later, I hoped. So I pulled out my manuscript and went back to the beginning, working on one final revision.

It has not gone as quickly as I hoped. I have sacrificed a lot of extracurricular activities (such as writing this blog) to proofread and edit. On a really productive night, I might get through twenty-five to thirty pages (and my manuscript is over two hundred forty double-spaced pages). I told myself I needed to have it done as early during the submission window as possible, so I wouldn’t kill myself to do one last proofread before the deadline. But with an ending that I’ve recently changed and little time to devote to polishing it, it’s become the last-minute rush that I feared. And I didn’t want to blow it by turning in a manuscript that read like I was flying by the seat of my pants.

The deadline is this Sunday. Optimistically, I thought I might finish editing by tomorrow (Wednesday), as long as that pesky new ending didn’t trip me up. Then it occurred to me that I really would be in panic mode if I tried to submit it on the last day, only to find out they required a synopsis, too. And there is nothing I loathe more than writing a synopsis (but that’s for another blog).

What was it about today that made me finally look up the submission guidelines? Was it God’s cruel trick, since I’m so close to the end of my revision? I guess it’s better finding out today rather than Saturday or Sunday. Finding out what? you ask. That I’ve been working my butt off, trying to trim my book to under sixty-six thousand words, and Harper Voyager requires a minimum of seventy thousand, although they prefer eighty to one hundred, that’s what. Usually, my problem is that I am too verbose, so I have struggled to take the axe to my poor literary babies. And this time, all that hard work has put me out of the running for a potentially career-changing opportunity. Now, I can come up with fluff all day long, but when it comes down to it, I need to be true to my story. It started out at over seventy thousand words, but over the years and after much editing, it has come to life only after I’ve pared it down and chiseled away the rough edges. And it fits right into the conventionally accepted length for young adult fiction. Why Harper Voyager doesn’t have a separate requirement for young adult fiction, I don’t know. . . but I have a good guess.

I am one of many readers for the University of North Florida’s online literary journal Fiction Fix, and let me tell you that we receive a ridiculous number of submissions—and we’re not big like Glimmer Train or HarperCollins. Like the Field of Dreams, if you publish it, they will submit. Manuscripts, that is. Good, bad, grammatically depraved, eloquently penned, we get it all. And although our submission guidelines are not all that stringent, I can attest that there are times when the format (or lack of format) of a particular story decides whether it stays or goes. No, we don’t require twelve-point Times New Roman, double-spaced, but if an author decides to single space some eleven-point font or smaller, I’m probably going to get a headache and say, Why didn’t you have more respect for the person who would have to read this? No! And what makes the people at Harper Voyager any different? Their submission guidelines are there to help them control the quality and quantity of what they have to read.

While lamenting to my mother this afternoon about the whole debacle (and admittedly feeling a tiny bit of relief that I am not going to kill myself, after all, to meet the deadline), I laid out all the facts. My story fit all the criteria listed; in fact, it seemed as if Harper Voyager was talking to me, like it knew about my story and wanted me to submit it. Except for that itsy bitsy thing about the word count. (And did I mention it’s the first thing listed on their submission guidelines?) Maybe if I did a good job of pleading my case, they would make an exception for me, right? I mean, after all, J.K. Rowling broke the rules and submitted Harry Potter and the Sorcerer’s Stone (Book 1)
to an agent who didn’t generally consider that kind of fiction, and look where she is today. By not submitting, am I missing out on my own J.K. Rowling moment?

Mama pointed out to me that they will probably receive so many submissions that they will be looking for excuses to reject manuscripts. Can’t meet the number one requirement on our list? Out! Don’t care if it is the best young adult manuscript ever—learn to color inside the lines like all the other kids!

Does this make them hateful and limiting? I don’t think so; it’s a business decision, to which there are natural consequences, such as being rejected for submitting something that doesn’t meet all the requirements. And I would encourage anyone who does have a manuscript that qualifies to give it a whirl—what can it hurt? As for me, I can still try the agent route. Or I could publish on my own, who knows? One thing I know for sure, I am going to read the submission guidelines first from now on, so as to curb the headaches and heartache that come with striving toward a useless goal. And I am still motivated to write, with or without Harper Voyager as the carrot dangling in front of me, thank goodness.

I am moving on, publication or not. Time to write.