Books I Might Actually Read in 2023

As usual, my 2022 book list got derailed. I mean, I even predicted it in my title (“My Totally Unrealistic 2022 Book List”), but a year ago, even I didn’t know that I would be taking a class that would require me to read more than one novel per week. I just thought I would have a hard time keeping up because a) I knew I wouldn’t have much time to read for pleasure because of grad school, and b) I had five Diana Gabaldon titles on the list, and it takes me weeks (if not months) to get through one of her books. So it comes as no surprise that I only read three of the Gabaldons. I have to space them out with other books just so I can feel like I accomplished something. And then there came the magical night sometime in the fall when I walked into a Barnes & Noble and was drawn to a new release that I didn’t even realize existed: Robert Galbraith’s The Ink Black Heart. Since I was in the middle of my multicultural lit course at the time, my husband read it first, and as soon as he finished it, he was adamant that I make it my top priority. Having just finished grad school, that’s what I decided to do. And because Galbraith (aka J.K. Rowling) is my favorite author, and murder mystery is my oldest fictional genre love, as soon as I finished The Ink Black Heart, I decided to return to Galbraith’s first book and re-read the series. If you love a good murder mystery/thriller, I highly recommend these books (and you will see all the titles below in my 2022 and 2023 lists).

Thanks to my lit course, I read more books in 2022 than originally planned. And thanks to finishing grad school and getting my life back, I now have a craving to read whatever I want whenever I want simply because that’s now an option. So yes, this year’s list is very ambitious, but also more do-able than my annual lists since 2019.

Before I present the lists, however, I want to take a second to talk about the aforementioned multicultural lit course. It was a class that was a requirement to graduate, but I am so glad that it was. A couple of the books were assigned (Gratz’s Grenade and Khorram’s Darius the Great Is Not Okay), but others were left up to the students to find on our own. I am grateful to work in an elementary school with a well-stocked media center, and our media specialist loaded me down with more books than I needed (but that I read anyway), and the winner that left me sobbing on the couch after everyone else went to bed was Kereen Getten’s If You Read This. Despite being overwhelmed by having to read more than a novel per week, I was introduced to books I would not have otherwise read, and it also immersed me in the literature that many of my students are reading. When I visited our school’s fall book fair, I did so with a different outlook than usual, and my 2023 list includes a middle grade title that I purchased there (Carry Me Home). By adding titles like this to my personal library, not only am I reading great books that I genuinely enjoy, but I am also in touch with what my students are reading.

My 2022 list included one title (“Randomize” by Andy Weir) that I did not realize is a short story. It’s available electronically only, and I just don’t have it in me to purchase an electronic short story. So I’m removing that from my list and hoping that he releases another actual novel soon. Of the remaining 19 titles from that list, I read 10 and added quite a few more (not even counting non-fiction—you can see those five titles on my Goodreads page). Here they are in the order I read them (* indicates the ones not from my original list):

  • 1. The Fiery Cross (Outlander #5) by Diana Gabaldon
  • 2. Yaqui Myths and Legends by Ruth Warner Giddings*
  • 3. Artemis by Andy Weir
  • 4. The Rim of the Prairie by Bess Streeter Aldrich*
  • 5. The Crown’s Game by Evelyn Skye*
  • 6. Ready Player One by Ernest Cline
  • 7. Ready Player Two by Ernest Cline
  • 8. I Am the Cheese by Robert Cormier*
  • 9. The Swarm (The Second Formic War #1) by Orson Scott Card
  • 10. The Crown’s Fate by Evelyn Skye*
  • 11. The Hive (The Second Formic War #2) by Orson Scott Card
  • 12. A Breath of Snow and Ashes (Outlander #6) by Diana Gabaldon
  • 13. The Christmas Pig by J.K. Rowling
  • 14. To Sleep in a Sea of Stars (Fractalverse #1) by Christopher Paolini
  • 15. Home of the Brave by Katherine Applegate*
  • 16. The Sun Is Also a Star by Nicola Yoon*
  • 17. Indian No More by Charlene Willing McManis and Traci Sorell*
  • 18. The Unsung Hero of Birdsong, USA by Brenda Woods*
  • 19. The Total Eclipse of Nestor Lopez by Adrianna Cueves*
  • 20. Grenade by Alan Gratz*
  • 21. If You Read This by Kereen Getten*
  • 22. Darius the Great Is Not Okay by Adib Khorram*
  • 23. The Year of the Dog by Grace Lin*
  • 24. Okay for Now by Gary D. Schmidt*
  • 25. An Echo in the Bone (Outlander #7) by Diana Gabaldon
  • 26. Ghost Boys by Jewell Parker Rhodes*
  • 27. Black Brother, Black Brother by Jewell Parker Rhodes*
  • 28. The Sweetest Sound by Sherri Winston*
  • 29. The Ink Black Heart (Cormoran Strike #6) by Robert Galbraith*
  • 30. Darius the Great Deserves Better by Adib Khorram*
  • 31. The Cuckoo’s Calling (Cormoran Strike #1) by Robert Galbraith*
  • 32. Shadow and Bone (The Shadow and Bone Trilogy #1) by Leigh Bardugo*

For the first time in I can’t remember how long, I did not receive a single book for Christmas—and I didn’t need to. I still have last year’s book from my husband to read (Go Tell the Bees That I Am Gone), as well as all the other books from my 2022 list, not to mention the other books I added to my collection last year. So here is that very ambitious list (alpha by author):

  • 1. Ship Breaker (Ship Breaker #1) by Paolo Bacigalupi
  • 2. The Drowned Cities (Ship Breaker #2) by Paolo Bacigalupi
  • 3. Siege and Storm (The Shadow and Bone Trilogy #2) by Leigh Bardugo
  • 4. Ruin and Rising (The Shadow and Bone Trilogy #3) by Leigh Bardugo
  • 5. Red Rising (Red Rising Saga #1) by Pierce Brown
  • 6. Golden Son (Red Rising Saga #2) by Pierce Brown
  • 7. Morning Star (Red Rising Saga #3) by Pierce Brown
  • 8. Iron Gold (Red Rising Saga #4) by Pierce Brown
  • 9. Dark Age (Red Rising Saga #5) by Pierce Brown
  • 10. Light Bringer (Red Rising Saga #6) by Pierce Brown
  • 11. Carry Me Home by Janet Fox
  • 12. Written in My Own Heart’s Blood (Outlander #8) by Diana Gabaldon
  • 13. Go Tell the Bees That I Am Gone (Outlander #9) by Diana Gabaldon
  • 14. The Silkworm (Cormoran Strike #2) by Robert Galbraith
  • 15. Career of Evil (Cormoran Strike #3) by Robert Galbraith
  • 16. Lethal White (Cormoran Strike #4) by Robert Galbraith
  • 17. Troubled Blood (Cormoran Strike #5) by Robert Galbraith
  • 18. The Ink Black Heart (Cormoran Strike #6) by Robert Galbraith
  • 19. A Discovery of Witches (All Souls Trilogy #1) by Deborah Harkness
  • 20. Shadow of Night (All Souls Trilogy #2) by Deborah Harkness
  • 21. The Book of Life (All Souls Trilogy #3) by Deborah Harkness
  • 22. Sisterhood of Dune (Schools of Dune #1) by Brian Herbert and Kevin J. Anderson
  • 23. Mentats of Dune (Schools of Dune #2) by Brian Herbert and Kevin J. Anderson
  • 24. Navigators of Dune (Schools of Dune #3) by Brian Herbert and Kevin J. Anderson
  • 25. Horns by Joe Hill
  • 26. Fractal Noise (Fractalverse #2) by Christopher Paolini
  • 27. The Red Pyramid (The Kane Chronicles #1) by Rick Riordan
  • 28. The Throne of Fire (The Kane Chronicles #2) by Rick Riordan
  • 29. The Serpent’s Shadow (The Kane Chronicles #3) by Rick Riordan
  • 30. Instructions for Dancing by Nicola Yoon

That’s it! Just a little reading list. Subject (definitely going) to change. Happy reading in 2023!

My Totally Unrealistic 2022 Book List

Book Purgatory, where books wait to be read… or not.

Every year when I post my book list, I have the opportunity to reflect on the previous year, the book list serving as a kind of visual soundtrack of my life. My 2021 post reminds me that I lost a dear friend on New Year’s Day and that books, more than ever, helped me escape into a world that didn’t contain that pain. Later in the year, I had my younger son to thank for Tolkien; he wanted to read The Lord of the Rings, but of course, I had to start with The Hobbit. I am grateful that my kids still let me read to them, and in this case, I read for the whole family because my husband had never read the series before. When I think about the vacations we took in 2021, I will remember reading those works of fiction to my guys. (As a side note, they are the most difficult books to read aloud that I have ever read; with a lack of helpful punctuation and copious Elvish, I was stumbling all over the place.) About halfway through last year’s book list, the pace slowed down regarding the number of books I read, marking the end of a comparatively relaxing stretch in which I was waiting to transfer to a new university. By the end of 2021, not only was I taking a heavier class load than ever, but I was also into the Outlander series, all the books of which are monsters (800 pages or more).

Reading and writing go hand in hand, and along with reading less, my writing has completely stalled. I can’t even say I’m suffering from writer’s block because I’m not trying to write—and haven’t in more than six months. I don’t feel guilty about not participating in NaNoWriMo because there’s no way I could have fit it in. Reading and writing voraciously will likely not be a part of my life again until I finish grad school (whenever that happens). Rather than getting upset by this reality, I’m choosing to think of this as my fallow time. Just as fields need to lie fallow periodically for the sake of the crops that will be grown there in future seasons, now is the time for my creative juices to enjoy an extended break. I will continue to read because that helps me stay sane; plus, having some fictional stimulation will keep me primed for when I can write again.

I hoped to read 25 works of fiction last year—and I did—but I instead of my detours adding to my list, they replaced some of the books that I am now shifting to my 2022 list. Here are the fiction titles I read in 2021 (* indicates books that were not on my original list):

  1.  A Reaper at the Gates (An Ember in the Ashes #3) by Sabaa Tahir
  2. The Ickabog by J.K. Rowling
  3. A Sky Beyond the Storm (An Ember in the Ashes #4) by Sabaa Tahir
  4. Troubled Blood (Cormoran Strike #5) by Robert Galbraith
  5. Water for Elephants by Sara Gruen
  6. Six of Crows (Six of Crows #1) by Leigh Bardugo
  7. Crooked Kingdom (Six of Crows #2) by Leigh Bardugo
  8. The Diabolic (The Diabolic #1) by S.J. Kincaid
  9. The Empress (The Diabolic #2) by S.J. Kincaid
  10. The Nemesis (The Diabolic #3) by S.J. Kincaid
  11. The Hobbit by J.R.R. Tolkien*
  12. The Starless Sea by Erin Morgenstern*
  13. Children of the Fleet (Fleet School #1) by Orson Scott Card
  14. Before We Were Yours by Lisa Wingate*
  15. Outlander (Outlander #1) by Diana Gabaldon
  16. Dragonfly in Amber (Outlander #2) by Diana Gabaldon
  17. The Fellowship of the Ring (The Lord of the Rings #1) by J.R.R. Tolkien*
  18. The Giver by Lois Lowry*
  19. Voyager (Outlander #3) by Diana Gabaldon
  20. Project Hail Mary by Andy Weir*
  21. The Creakers by Tom Fletcher*
  22. Drums of Autumn (Outlander #4) by Diana Gabaldon
  23. The Two Towers (The Lord of the Rings #2) by J.R.R. Tolkien*
  24. Dune (Dune Chronicles #1) by Frank Herbert
  25. The Return of the King (The Lord of the Rings #3) by J.R.R. Tolkien*

This year, I have no idea what books I’ll be reading aloud with my family, but I hope we continue this tradition. (I’m rooting for Harry Potter.) I also hope that my husband discovers a new book that he thinks is a must-read, like 2021’s Hail Mary. Yet again, this is a list that presumes a lot more free time than I actually have—and it’s not even complete. I always read at least 25 books in a year. I’m five short, so I’m looking for some must-reads. Check out the list below, and if you know of a book that you think I would love, please drop me a comment!

  1. The Swarm (The Second Formic War #1) by Orson Scott Card
  2. The Hive (The Second Formic War #2) by Orson Scott Card
  3. Ready Player One (Ready Player One #1) by Ernest Cline
  4. Ready Player Two (Ready Player One #2) by Ernest Cline
  5. The Fiery Cross (Outlander #5) by Diana Gabaldon
  6. A Breath of Snow and Ashes (Outlander #6) by Diana Gabaldon
  7. An Echo in the Bone (Outlander #7) by Diana Gabaldon
  8. Written in My Own Heart’s Blood (Outlander #8) by Diana Gabaldon
  9. Go Tell the Bees That I Am Gone (Outlander #9) by Diana Gabaldon
  10. A Discovery of Witches (All Souls Trilogy #1) by Deborah Harkness
  11. Shadow of Night (All Souls Trilogy #2) by Deborah Harkness
  12. The Book of Life (All Souls Trilogy #3) by Deborah Harkness
  13. Sisterhood of Dune (Schools of Dune #1) by Brian Herbert and Kevin J. Anderson
  14. Mentats of Dune (Schools of Dune #2) by Brian Herbert and Kevin J. Anderson
  15. Navigators of Dune (Schools of Dune #3) by Brian Herbert and Kevin J. Anderson
  16. To Sleep in a Sea of Stars by Christopher Paolini
  17. The Christmas Pig by J.K. Rowling
  18. Artemis by Andy Weir
  19. Randomize by Andy Weir
  20. Instructions for Dancing by Nicola Yoon

Reading Is Healing: My 2021 Book List

If you read my post from just after ringing in the new year, you know that my 2021 started with a melancholy tone. A dear friend was battling COVID-19, and I awoke to learn that his body had finally succumbed. He was the director of the community chorale of which I’ve been a member since the late 1990s. With coronavirus shutting down almost all things choral (because singers are considered super spreaders), all of our rehearsals and plans for performances stopped last March. Singing is one of my outlets, and I’ve been fortunate to be one of the few singers at my church most Sundays.

Fortunately, while singing is incredibly healing, it’s not my only outlet. I also love to read. Maybe that’s an understatement. I have to have something to read at all times—a healthy addiction?—and I also love to share what I read. (Which is why I started making this annual post however-many years ago.)

While 2020 took so much from everyone, it was a great year for me as far as reading goes. I read all the books from my 2020 book list, plus some. In fact, I re-read two different trilogies immediately after finishing them—sometimes it’s just hard to let books go. (Those trilogies are Lady Helen and His Fair Assassin. I read the first book of Lady Helen in 2019 but all the rest in 2020.)

Many of the other books on my list were ones that I read with my children. We finished A Series of Unfortunate Events, as planned. I also read The Hunger Games to them because they enjoy the movies, and Suzanne Collins recently published a prequel, The Ballad of Songbirds and Snakes. We finished all of those about a week ago.

If you’re one of my regular readers, you know that my elder son is dyslexic. Even before his diagnosis, it was my habit to read my favorite children’s books to him. (Maybe it was crazy, but I read the Harry Potter books to both kids in utero.) We often read his school novels together, and the format of virtual school last spring was particularly challenging for him. His entire grade level broke into a handful of book clubs, and the book he chose (okay, that I encouraged him to choose because I wanted to read it to him anyway) was Lois Lowry’s The Giver. A dystopian novel before that was even a genre, The Giver was new when I was a kid. Since then, Lowry has published three sequels. We finished reading the quartet after the book club was finished, and Peter really enjoyed them.

Two or three years ago, I discovered Usborne’s graphic novel classics (including titles such as HamletThe Hound of the BaskervillesJason and the ArgonautsAlice in Wonderland, and many others). Graphic novels are a great way for people with reading difficulties to access literature because the drawings provide so many contextual clues. Each time I got one for Peter, he devoured it. It became his habit to read one every night before bed. I can’t tell you the joy I feel from my son finding enthusiasm for books. Plus, he’s being introduced to classic stories without the barrier of archaic language (which can prove onerous even for the most fluent of readers).

Still, there are plenty of great books that aren’t graphic novels. Peter loves historical fiction, especially of the World War II era, so that’s why Salt to the Sea and The Book Thief are on the 2020 list. (Salt to the Sea is centered around the greatest maritime disaster in history, regarding loss of life. And no, it wasn’t the Titanic or Lusitania—check it out!) After we finished these, since Usborne hadn’t released a new graphic novel in a while, my husband let Peter borrow Maus and Maus II, graphic novels about some of the events of World War II. When he finished those, something different and wonderful happened: Peter asked if we could recommend any other good books.

We decided that a good first on-his-own novel was Nicola Yoon’s Everything, Everything. This book has a unique style, including short chapters and drawings throughout. These would help break up the text, making it less daunting. Plus, the language isn’t that difficult, except for humuhumunukunukuapua’a—I have yet to make it from one end of that word to other without needing a nap in the middle. We gave it to Peter, and he devoured it. Every time he finished a chapter, he would tell us about it. A common trait of dyslexics is poor working memory. He’s had to learn study skills particular to his learning style, which allow him to suss out the main idea and decide which details are important. Summarizing what he’s read—and sometimes having in-depth discussions about it—is Peter’s strategy to aid his reading comprehension. After Everything, Everything, he asked for a book Thomas had told him about, Ernest Cline’s Ready Player One. It was a much more challenging read, but Peter made it through and now considers it his favorite book. (There’s a recently published sequel—hope it lives up to the first one!) He’s currently reading Stephen King’s The Green Mile. For his birthday and Christmas, we gave him more novels—Ender’s Game and Jurassic Park. Peter is excited to have his own growing collection, and on more than one occasion, he’s said, “Now I see why you and Dad read all the time.” After catching him staying up late to read more times than I can count (my favorite form of rebellion), he’s learned to look ahead and see how long a chapter is before getting started because he has to complete a chapter in order to fully process and remember it. I don’t care what it takes—this kid is making reading a priority and enjoying it.

Okay, Sarah, what does this have to do with books you read in 2020? Nothing at all. These are books I didn’t read—because Peter read them himself! And more books I didn’t read: Harry Potter. When we finished A Series of Unfortunate Events, that’s what Ian wanted to read, but when I noticed one of his classmates reading the series, I told Ian it was time to read them on his own. So that’s what he’s doing now, and I’m proud of him, too. It’s a real joy to see my boys reading on their own and loving it.

So without further ado, here is the complete list of novels I read in 2020, ordered chronologically. Titles in red are the books that I either read a second time or were not on the original list.

  1. Where the Crawdads Sing by Delia Owens
  2. The Wide Window (A Series of Unfortunate Events, Book the Third) by Lemony Snicket
  3. The Dark Days Pact (Lady Helen #2) by Alison Goodman
  4. The Miserable Mill (A Series of Unfortunate Events, Book the Fourth) by Lemony Snicket
  5. The Dark Days Deceit (Lady Helen #3) by Alison Goodman
  6. The Austere Academy (A Series of Unfortunate Events, Book the Fifth) by Lemony Snicket
  7. Salt to the Sea by Ruta Sepetys
  8. The Dark Days Club (Lady Helen #1) by Alison Goodman
  9. The Ersatz Elevator (A Series of Unfortunate Events, Book the Sixth) by Lemony Snicket
  10. The Dark Days Pact (Lady Helen #2) by Alison Goodman
  11. The Vile Village (A Series of Unfortunate Events, Book the Seventh) by Lemony Snicket
  12. The Dark Days Deceit (Lady Helen #3) by Alison Goodman
  13. The Hostile Hospital (A Series of Unfortunate Events, Book the Eighth) by Lemony Snicket
  14. Why We Broke Up by Daniel Handler
  15. The Carnivorous Carnival (A Series of Unfortunate Events, Book the Ninth) by Lemony Snicket
  16. Earth Unaware (The First Formic War #1) by Orson Scott Card
  17. The Slippery Slope (A Series of Unfortunate Events, Book the Tenth) by Lemony Snicket
  18. The Giver (The Giver #1) by Lois Lowry
  19. The Grim Grotto (A Series of Unfortunate Events, Book the Eleventh) by Lemony Snicket
  20. Earth Afire (The First Formic War #2) by Orson Scott Card
  21. Earth Awakens (The First Formic War #3) by Orson Scott Card
  22. The Penultimate Peril (A Series of Unfortunate Events, Book the Twelfth) by Lemony Snicket
  23. The Book Thief by Marcus Zusak
  24. The Starless Sea by Erin Morgenstern
  25. The Night Circus by Erin Morgenstern
  26. The End (A Series of Unfortunate Events, Book the Thirteenth) by Lemony Snicket
  27. The Cuckoo’s Calling (Cormoran Strike #1) by Robert Galbraith
  28. Stormbreaker (Alex Rider #1) by Anthony Horowitz
  29. The Silkworm (Cormoran Strike #2) by Robert Galbraith
  30. Career of Evil (Cormoran Strike #3) by Robert Galbraith
  31. Lethal White (Cormoran Strike #4) by Robert Galbraith
  32. Gathering Blue (The Giver #2) by Lois Lowry
  33. Graceling (Graceling Realm #1) by Kristin Cashore
  34. Messenger (The Giver #3) by Lois Lowry
  35. Fire (Graceling Realm #2) by Kristin Cashore
  36. Bitterblue (Graceling Realm #3) by Kristin Cashore
  37. Grave Mercy (His Fair Assassin #1) by Robin LaFevers
  38. Dark Triumph (His Fair Assassin #2) by Robin LaFevers
  39. Mortal Heart (His Fair Assassin #3) by Robin LaFevers
  40. Son (The Giver #4) by Lois Lowry
  41. Grave Mercy (His Fair Assassin #1) by Robin LaFevers
  42. The Hunger Games (The Hunger Games #1) by Suzanne Collins
  43. Dark Triumph (His Fair Assassin #2) by Robin LaFevers
  44. Catching Fire (The Hunger Games #2) by Suzanne Collins
  45. Mortal Heart (His Fair Assassin #3) by Robin LaFevers
  46. Mockingjay (The Hunger Games #3) by Suzanne Collins
  47. The Tower of Nero (The Trials of Apollo #5) by Rick Riordan
  48. An Ember in the Ashes (An Ember in the Ashes #1) by Sabaa Tahir
  49. The Ballad of Songbirds and Snakes (The Hunger Games #0) by Suzanne Collins
  50. A Torch Against the Night (An Ember in the Ashes #2) by Sabaa Tahir

As you can see, 22 of the 50 books I read were unplanned. While I was worried that some of them might derail me from reaching my goal, I don’t regret reading them. (Okay, one exception—Stormbreaker, a school book for Peter that neither of us enjoyed.) When I saw that Erin Morgenstern had a new book, I had to get it, and The Starless Sea might be the best book I’ve ever read. Unless it’s The Night Circus. Yikes, she needs to get busy and write a bunch more.

Woo-Hoo! New Books for 2021

Now for 2021. I’m excited that some of my favorite authors have penned new books, some adding to ongoing series. That’s why I’m re-reading An Ember in the Ashes, the fourth book of which was recently published and is on this year’s list. There’s also a fifth novel in the Robert Galbraith (J.K. Rowling) Cormoran Strike series. Since I just re-read the first three books over the summer in order for the story to be fresh for the new-to-me fourth book, I don’t need to re-read those. J.K Rowling also wrote a new book, The Ickabog, for families during the COVID lockdown. It was originally an online publication, and she held an illustration competition. The whole thing was published with beautiful color illustrations from the winners, and I just started reading it with my family today. A few chapters in, I’m reminded why Rowling is one of my favorite authors.

Other titles of interest: Christopher Paolini (author of the Eragon books) released a new book, unrelated to The Inheritance Cycle. I read S.J. Kincaid’s The Diabolic in 2019 and am finally collecting the other books in that trilogy. Years ago, my dad lent us the books from the Ender’s Game series, including spin-offs. I plan to finish those (one of which I just got for him for Christmas, so I’m going to have to borrow that when he’s done with it). I also plan to re-read Dune because—hello! Have you seen that they’re re-doing the movie? And of course, I need to have it fresh so I can get peeved every time the movie takes creative license. Actually, I have high hopes. Please don’t screw it up, new movie! (So when my dad reads this, please let me borrow Dune again, too.) There are other books I’ll re-read, since the list would be sparse, otherwise. (Hoping Diana Gabaldon publishes Outlander #9 in 2021 or early enough in 2022 that I won’t forget everything from the first eight books.) As always, I expect there will be a lot of red on here when I post what I read a year from now.

Until then, here’s my jumping off place (alpha by author):

  1. Six of Crows (Six of Crows #1) by Leigh Bardugo
  2. Crooked Kingdom (Six of Crows #2) by Leigh Bardugo
  3. Children of the Fleet (Fleet School #1) by Orson Scott Card
  4. The Swarm (The Second Formic War #1) by Orson Scott Card
  5. The Hive (The Second Formic War #2) by Orson Scott Card
  6. Ready Player One (Ready Player One #1) by Ernest Cline
  7. Ready Player Two (Ready Player One #2) by Ernest Cline
  8. Outlander (Outlander #1) by Diana Gabaldon
  9. Dragonfly in Amber (Outlander #2) by Diana Gabaldon
  10. Voyager (Outlander #3) by Diana Gabaldon
  11. Drums of Autumn (Outlander #4) by Diana Gabaldon
  12. The Fiery Cross (Outlander #5) by Diana Gabaldon
  13. A Breath of Snow and Ashes (Outlander #6) by Diana Gabaldon
  14. An Echo in the Bone (Outlander #7) by Diana Gabaldon
  15. Written in My Own Heart’s Blood (Outlander #8) by Diana Gabaldon
  16. Troubled Blood (Cormoran Strike #5) by Robert Galbraith
  17. Water for Elephants by Sara Gruen
  18. Dune (Dune Chronicles #1) by Frank Herbert
  19. The Diabolic (The Diabolic #1) by S.J. Kincaid
  20. The Empress (The Diabolic #2) by S.J. Kincaid
  21. The Nemesis (The Diabolic #3) by S.J. Kincaid
  22. To Sleep in a Sea of Stars by Christopher Paolini
  23. The Ickabog by J.K. Rowling
  24. A Reaper at the Gates (An Ember in the Ashes #3) by Sabaa Tahir
  25. A Sky Beyond the Storm (An Ember in the Ashes #4) by Sabaa Tahir

If you know of a book that I should add, please let me know in the comments—I’m always looking for recommendations! Good reading in 2021.

What to Read in 2020…

I am pleased to say (and this doesn’t happen often), that I finished all the books from my 2019 book list. (Just finished the last two yesterday, but finished is finished!) I started grad school in August, and it really derailed my pleasure reading, but I anticipated this when I created my book list; I’d already finished most of my list before then. (I’m also happy to report that, out of all the books I read, only two disappointed, The Circle and The Girl In the Spider’s Web.)

Of the two books that I finished at the last minute, I didn’t even receive Rick Riordan’s The Trials of Apollo Book 4: The Tyrant’s Tomb until Christmas. And by “receive,” I mean that my husband and I each wanted the same books, so rather than each of us buying the same thing for the other, I bought them both, wrapped them, and stuck them under the tree for us. I didn’t even succumb to temptation and start reading before I wrapped them.

The other book that I finished yesterday was the last of the Artemis Fowl series, The Last Guardian. I read this series years ago and thought my pre-teen son would enjoy them. It’s taken a while to get through all eight books, but we enjoyed reading them together. He’s dyslexic and comprehends texts best when they’re read to him. Although he has an app that reads to him, I will continue reading with him as long as he lets me. He’s into World War II right now, so a couple novels on this year’s list are re-reads for me that I’m looking forward to introducing to Peter.

Another series I re-read this year was Harry Potter (the first four books of which I’ve now read 13 times). I read it to Peter when he was in the second grade, so now that Ian is in the second grade, it was his turn. We read the first three books in the Jim Kay illustrated format—they’re gorgeous. I knew that the boys would receive the fourth illustrated one for Christmas and asked Ian if he would like to wait to get it before we read on, but he couldn’t wait that long. Instead, we plowed through books four through seven, finishing before Christmas. His imagination is vivid enough that he had no trouble making it through them. (But we have the illustrated version of The Goblet of Fire now, and it’s spectacular.)

Jim Kay Diagon Alley illustration

Diagon Alley, as illustrated by Jim Kay

 

Following are the novels I read in 2019 (in the order I read them—the ones in red text are the extras that weren’t on the original list):

  1. Shadow Puppets (The Shadow Series #3) by Orson Scott Card
  2. The Burning Maze (The Trials of Apollo #3) by Rick Riordan
  3. Shadow of the Giant (The Shadow Series #4) by Orson Scott Card
  4. Dog Man and Cat Kid (Dog Man #4) by Dav Pilkey
  5. Shadows in Flight (The Shadow Series #5) by Orson Scott Card
  6. Kids of Appetite by David Arnold
  7. The Circle by Dave Eggers
  8. Salt to the Sea by Ruta Sepetys
  9. The Reader (Sea of Ink and Gold #1) by Traci Chee
  10. Artemis Fowl: The Opal Deception by Eoin Colfer
  11. A History of Glitter and Blood by Hannah Moskowitz
  12. Turtles All the Way Down by John Green
  13. The Female of the Species by Mindy McGinnis
  14. Rebel of the Sands (Rebel of the Sands #1) by Alwyn Hamilton
  15. Nil (Nil #1) by Lynne Matson
  16. The Diabolic (The Diabolic #1) by S.J. Kincaid
  17. Bird Box by Josh Malerman
  18. The Girl with the Dragon Tattoo (Millennium #1) by Stieg Larsson
  19. The Girl Who Played with Fire (Millennium #2) by Stieg Larsson
  20. Artemis Fowl: The Lost Colony by Eoin Colfer
  21. The Girl Who Kicked the Hornet’s Nest (Millennium #3) by Stieg Larsson
  22. Refugee by Alan Gratz
  23. The Girl in the Spider’s Web (Millennium #4) by David Lagercrantz
  24. Amal Unbound by Aisha Saeed
  25. Harry Potter and the Sorcerer’s Stone by J.K. Rowling
  26. Harry Potter and the Chamber of Secrets by J.K. Rowling
  27. Artemis Fowl: The Time Paradox by Eoin Colfer
  28. Iron Gold (Red Rising Saga #4) by Pierce Brown
  29. Harry Potter and the Prisoner of Azkaban by J.K. Rowling
  30. Harry Potter and the Goblet of Fire by J.K. Rowling
  31. Artemis Fowl: The Atlantis Complex by Eoin Colfer
  32. Harry Potter and the Order of the Phoenix by J.K. Rowling
  33. Dark Age (Red Rising Saga #5) by Pierce Brown
  34. Harry Potter and the Half-Blood Prince by J.K. Rowling
  35. Harry Potter and the Deathly Hallows by J.K. Rowling
  36. The Dark Days Club (Lady Helen #1) by Alison Goodman
  37. The Bad Beginning (A Series of Unfortunate Events, Book the First) by Lemony Snicket
  38. An Abundance of Katherines by John Green
  39. The Reptile Room (A Series of Unfortunate Events, Book the Second) by Lemony Snicket
  40. Artemis Fowl: The Last Guardian by Eoin Colfer
  41. The Tyrant’s Tomb (The Trials of Apollo #4) by Rick Riordan

And now for the 2020 list. It may seem long, but all the Unfortunate Events books are ones I’m reading with Ian (after Harry Potter, he’s stuck on series). Otherwise, my list is modest because I know my time will be limited. I’m looking forward to continuing several series and reading some books that are new to me. I also hope I can carve out some time to re-read some favorites.

On the left is the book I just started (it’s really good!)… and another one that I’ll be starting soon. (Yep, more testing awaits. But when I’m done with adding to my certification, I hope to be done with testing centers for a while.) IMG_5745

Without further ado, here’s what I hope to read this year (alpha by author):

  1. Earth Unaware (The First Formic War #1) by Orson Scott Card
  2. Earth Afire (The First Formic War #2) by Orson Scott Card
  3. Earth Awakens (The First Formic War #3) by Orson Scott Card
  4. Graceling (Graceling Realm #1) by Kristin Cashore
  5. Fire (Graceling Realm #2) by Kristin Cashore
  6. Bitterblue (Graceling Realm #3) by Kristin Cashore
  7. Lethal White (Cormoran Strike #4) by Robert Galbraith
  8. The Dark Days Pact (Lady Helen #2) by Alison Goodman
  9. The Dark Days Deceit (Lady Helen #3) by Alison Goodman
  10. Why We Broke Up by Daniel Handler
  11. Grave Mercy (His Fair Assassin #1) by Robin LaFevers
  12. Dark Triumph (His Fair Assassin #2) by Robin LaFevers
  13. Mortal Heart (His Fair Assassin #3) by Robin LaFevers
  14. Where the Crawdads Sing by Delia Owens
  15. The Tower of Nero (The Trials of Apollo #5) by Rick Riordan
  16. Salt to the Sea by Ruta Sepetys
  17. The Wide Window (A Series of Unfortunate Events, Book the Third) by Lemony Snicket
  18. The Miserable Mill (A Series of Unfortunate Events, Book the Fourth) by Lemony Snicket
  19. The Austere Academy (A Series of Unfortunate Events, Book the Fifth) by Lemony Snicket
  20. The Ersatz Elevator (A Series of Unfortunate Events, Book the Sixth) by Lemony Snicket
  21. The Vile Village (A Series of Unfortunate Events, Book the Seventh) by Lemony Snicket
  22. The Hostile Hospital (A Series of Unfortunate Events, Book the Eighth) by Lemony Snicket
  23. The Carnivorous Carnival (A Series of Unfortunate Events, Book the Ninth) by Lemony Snicket
  24. The Slippery Slope (A Series of Unfortunate Events, Book the Tenth) by Lemony Snicket
  25. The Grim Grotto (A Series of Unfortunate Events, Book the Eleventh) by Lemony Snicket
  26. The Penultimate Peril (A Series of Unfortunate Events, Book the Twelfth) by Lemony Snicket
  27. The End (A Series of Unfortunate Events, Book the Thirteenth) by Lemony Snicket
  28. The Book Thief by Marcus Zusak

What titles are on your list this year? Happy reading!

“Wow, You Really Like Books, Don’t You?”

 

New Stack of Books 2017

Books I can’t wait to read!

The title of this post is what my cousin said to me recently when I was at his house, returning a pile of books that his wife had lent me. And then because she has some sort of wicked sixth sense about her, she guessed that I might appreciate even more books, so she blessed me with another pile of loaner teen fiction. This is third such pile of books she’s let me borrow in the past couple years, and my cousin knows this, but I think this was the first time he was actually in the room while I eagerly accepted the books, all but bursting with delight to have my hands on more stuff to read.

If you know me, you know that I always have a book on hand. Nothing will stop me from reading. In fact, I finished one book and started another when I was in the delivery room, hours away from giving birth to my first baby. It’s a serious thing to me. (Some might call it a problem.) But I guess it’s different to witness me grabbing all the books I can get my hands on, a manic gleam in my eye, as if I’m on an episode of Oprah’s Favorite Things.

Now before anyone gets onto me for starting on a new pile of books before finishing what I set out to read at the beginning of the year, I will say that even though it’s killing me, I will read (or try my best to read) everything on my 2017 list before I get started on this latest stack of potential goodness. That’s not to say that I’ve been good and haven’t detoured at all. I have. The problem is that so many of the books from this year’s list are the first book of a series, and if I like a series, well… let’s just say that my bookshelf real estate is dwindling.

This could be a problem, having enough time to read everything I own. I was really worried when my position at work changed from teacher to admin support, which puts me in the office year-round. But I am not to be deterred. Maybe I’m not blogging as often, but I am reading and writing with as much gusto as ever.

It’s well past the halfway point of the year, so of the 34 books on my list, I should have read more than 17, correct? And I am happy to report that, despite getting sidetracked a few times, I’ve still crossed 23 off the list. (Check out the link to my Goodreads page in the sidebar for all the details.) If anything is going to sidetrack me from my list, it’s other books, not a lack of time to read them.

So bring them on! I need to have something to read in 2018, anyway. And please excuse me for cutting this post short; my current book is just getting to the good part.

Read. These. Books.

It’s already July – that time of year when I look at the book list that I created on January first to assess how well I’m keeping up. This year, I am pleased to say that, of the 27 novels I hoped to read, I’ve already read 22. I hope I’m not speaking too soon when I say that 2016 may be the year I’ll finally read every book.

Of the books I’ve finished, I would like to highlight the multitude of teen fiction titles that I’ve recently read.

Florida Teen Reads books

Read these books!

I mentioned in my book list post that my cousin’s wife is on the Florida Teen Reads committee. Last fall, she gave me a pile of the books she’d read for the committee, assuring me that there was a little bit of everything: sci-fi, romance, mental illness – you name it. I was excited to add them to this year’s list.

As always seems to happen, I read a few books from my list, and then I deviated some – that’s life, right? By May, I’d only read one of teen books I’d borrowed, but a message from my cousin-in-law gave me the little kick I needed to keep going. She would need to get two of the books back by the fall because they’re Florida Teen Reads finalists. I read both titles back-to-back – Every Last Word by Tamara Ireland Stone and Everything, Everything by Nicola Yoon. It was apparent why these books were finalists, and since I was on a roll, I continued reading the other FTR books, too.

Some of these books shine brighter than others. Knowing his taste, I had my husband read some of them and not others. One I had to twist his arm to finish, and he was glad he did. Another was the first book of a series, and Thomas liked it so much that he bought the whole trilogy – we both read them all.

Girl in PiecesIn the middle of reading all this teen fiction, I received an interesting opportunity: to read and review a teen fiction novel that hasn’t been published yet. While I’ve read books prior to publication before, it’s usually because I’m editing them, and that’s a completely different experience than being able to read a book to enjoy it. In this case, “enjoy” is a little too tame a description – I devoured Kathleen Glasgow’s Girl in Pieces in two days. (Read my review on Goodreads, and purchase it this fall.)

Before you say, “I’m not a teenager – why would I read any of these?”, let me assure you that teen fiction is not just for those in the 13 to 19 demographic. When I was in college, I took a class on young adult lit, and it was a rather recent genre classification at the time (in fact, much of what we read had previously been grouped with children’s lit). Books that fall into the YA genre star characters who live the issues that real young adults face. Okay, yes, sometimes the teens in these books are being chased by dragons, but they’re still coming of age and having all the issues that that entails.

Parents may find some YA issues uncomfortable, such as substance abuse, suicide, sexuality, and mental illness. Guess what? These are tough issues, but we can’t just put our heads in the sand and pretend they’re not there. When I read about a girl who hung with the cool crowd at school while keeping her OCD hidden from her best friends, I was glad that such a book was out there. It’s normal to read about the underdog succeeding – and I love those books, too – but to read about a cool girl with issues? Well, isn’t that life?

Today’s teenagers can only be sheltered so much. As a parent, I understand being protective, but I also would rather supervise my child’s exposure to these issues by handing him a book and then talking about it than praying that that kind of thing never happens. Who knows? My kids may have friends who face these issues one day – and many of these books list resources that provide support and help. Even within a fictional (and sometimes fantastical) setting, teens are capable of applying what they read to real life.

Read these books! Then share them with a teenager you care about.

Summer 2015 Reading

Magical books

Magical books (Photo credit: Wikipedia)

My last blog was all about the writing I’ve done this summer (and since then, I’ve achieved my Camp NaNoWriMo goal – yay!), but as any worthwhile author will tell you, you can’t write if you’re not reading. So I’ve been doing what a good writer should do, naturally.

The reading list that I set for myself this year is an ambitious one. (Read it here.) On it are 27 books, including several series. Christopher Paolini’s The Inheritance Cycle has been on my to-read list for three years now, and I finally finished it. But those books are dense and ate up a lot of my reading time. As I approached the halfway point through the year, I wondered how I was doing.

I’m happy to report that as of mid-July, I’ve finished 13 of the 27 books. Maybe Inheritance didn’t set me back too far, after all. Of course, I read a lot during our two-week vacation. I worried I was being overly ambitious when I packed the entire Divergent series, as well as a book that a friend lent to me a few months ago. But I read the whole borrowed book on the plane trip from east coast to west coast (Talk to the Hand by Lynne Truss – I highly recommend it, particularly if you’re a fan of British humor), and I plowed through all but a couple hundred pages of the Divergent series over the two weeks.

Ahead of me, I still have at least one doozy (Diana Gabaldon’s Written in My Heart’s Own Blood – all of the books in her Outlander series are formidable), plus Suzanne Collins’s The Hunger Games series. I know I re-read it last year, but I want it to be fresh when the final movie comes out this fall. Also, I’ll start reading Harry Potter and the Philosopher’s Stone to my seven-year-old in the next week. I’m excited that he’s finally old enough to comprehend the story – we may have another Potter geek in the making.

Other than my non-fiction books (which I rarely list here, unless it’s what I consider entertaining non-fiction, such as Talk to the Hand), I’ve stuck to my book list pretty well. Early on, I decided to read Daniel Woodrell’s Winter’s Bone because I’d seen the movie and was interested in seeing what kind of extra character developments happened in the book. I’m glad I did. Woodrell’s use of language is unique, and as a writer, it’s always helpful to mix it up with a different style from time to time.

The only other detour I’ve made was Lisa Genova’s Still Alice (also a book-turned-movie). This was a book I had to read. I’m going back to teach full-time in the fall, and the faculty at my school has a summer reading list. Still Alice was the only novel on our list of choices. I’ve jotted down the titles of several non-fiction books that interest me, but I wanted a good story – and I got it. But frequent criers, keep your tissues handy.

I’m sticking to my list and loving it. I hope to finish Lois Lowry’s The Giver series by the time the kids go back to school (I’m halfway through the second book, Gathering Blue), and then I’ll keep plowing ahead.

And never fear – if I actually make it through this whole list, I already have several new books waiting. (She rubs her hands together and cackles with glee.)

Overcoming Dyslexia: 10 Things You Should Know

Overcoming Dyslexia by Sally Shaywitz, M.D.

Overcoming Dyslexia by Sally Shaywitz, M.D.

Right around two years ago, I realized there was a serious disconnect with my then-five-year-old son Peter. He was at the end of his second year of preschool, but this intelligent child could not learn his letters or their sounds. Today, I know that he has moderate dyslexia, and it’s been quite a journey. For my sweet boy, it’s a journey that he will continue to take for the rest of his life.

The teacher who tested Peter and helped formulate the blueprint of what the next few years will bring for him lent me her copy of Overcoming Dyslexia by Sally Shaywitz, M.D. I recommend this book to all parents and teachers. Even after I knew that Peter had dyslexia, I still didn’t fully understand what it is – certainly more than mixing up letters, which is a common misconception.

There’s no way I can boil down every point, so I’ve chosen the ten that I found most important:

  1. Dyslexia Affects More People than You Think

In a 20-year study that followed 445 children from Connecticut, Shaywitz discovered “that reading disability affects approximately one child in five” (30). Some of the personal accounts that Shaywitz shares in her book are of bright kids who were left behind because they didn’t “qualify” as students who needed help reading. One was even unfortunate enough to attend a school in which the administration didn’t believe in dyslexia. There are many more children who can benefit from reading resources than are currently receiving help. If you think you don’t know anyone with dyslexia – think again. Especially if you’re a teacher, you likely have a child who desperately needs help right in your classroom.

  1. There’s a Reason Some Smart People Can’t Read

In her chapter entitled “Why Some Smart People Can’t Read,” Shaywitz introduces the Phonologic Model. In subsequent chapters, she breaks down why this model doesn’t work for dyslexics. They have what she repeatedly refers to as a “sea of strengths” – lots of pros surrounding one big con, the inability to decode phonemes (the smallest unit of speech). While good readers can quickly decode phonemes to make the sounds k, aaaa, and t become cat, dyslexics’ brains are not wired to do this efficiently. The frustrating part is that phonology is the lowest level of the language system, followed by semantics, syntax, and discourse. While semantics, syntax, and discourse are all intact in a dyslexic person’s brain, these higher-level abilities are trapped behind the wall of un-decodable phonemes because…

  1. Dyslexics’ Brains Are Wired Differently

There are now scientific tests that show just how a dyslexic’s person’s brain is wired. Starting in the chapter “Reading the Brain,” Shaywitz goes into great detail about how our brains decode words. A dyslexic person’s brain uses a different path – one that is not automatic and therefore much slower. The functional MRI (fMRI) is the test that shows exactly how dyslexic versus non-dyslexic people read. These tests aren’t necessary to diagnose dyslexia, but they prove that dyslexics aren’t missing a part of their brain, and they’re not brain damaged; they simply read in a different way than “good” readers.

  1. Training Kids Before School Age Helps

Unfortunately, dyslexia often goes undetected in children until they reach the third grade. At this point, they are very far behind because they are still struggling to sound out words, while their peers are transitioning from learning to read to reading to learn.

One way that we can save these kids so many years of frustration is by catching it sooner. Kids enrolled in preschool are ahead of the game (which is how we were able to catch Peter’s dyslexia so early), but even if you keep your children at home, helping them differentiate beginning, middle, and ending sounds of simple words (pig and pan, hen and pet, and hen and pin are the examples Shaywitz uses) will not only help them when they learn to read, but it will also help to identify if there is a problem.

With Peter, while I could say a word like “bird” to his four- and five-year-old classmates, and they would hear b, rrr, and d, he might only be able to pick out the beginning or the ending sound – forget the middle. Peter’s dyslexia wouldn’t let him distinguish the different sounds.

  1. The Severity of Dyslexia Differs from Person to Person

While “one-quarter [to] one-half of the children born to a dyslexic parent will also be dyslexic,” the way in which dyslexia manifests itself differs from person to person (99). Shaywitz writes that “the ultimate expression of dyslexia depends on an interaction between a child’s genetic endowment and his environment.” So if your child is dyslexic, don’t throw your hands in the air and give up. Continue to read aloud to him at home; expose her to as much language as you can. This particularly helps dyslexic children develop larger vocabularies because they will not read and pick up new words as quickly as their classmates who can read fluently.

  1. Dyslexics Have High IQs

High IQ’s and difficulty in reading just don’t seem to correlate, but that’s exactly what happens with a dyslexic person. In fact, dyslexic people are often amazing problem solvers; their dyslexia forces them to be creative in order to read, and they carry this skill into other areas of life.

Dyslexia should never discourage someone from pursuing his or her dream. The last chapter of Overcoming Dyslexia is devoted to the personal accounts of highly successful people, such as author John Irving, American businessman and finance expert Charles Schwab, former West Virginia governor Gaston Caperton, and a number of others. These men and women struggled in school and failed entrance exams that could have kept them from getting higher education – yet they persevered and proved that a reading problem would not force them to give up on their dreams.

  1. Retention Does Not Help Dyslexic Children

While retention is sometimes helpful for other reasons, dyslexia should not be one of them. Not only does holding a child back a year in school avoid the problem (which is decoding words), but it can also be a psychological and emotional hindrance.

Ignoring the problem is just as bad. Waiting a month or a year to see if the problem straightens itself out only robs your child of much-needed help. When I first thought that Peter might have a problem, I hoped that a little tutoring over the summer would solve it. But that tutoring didn’t address his specific issue, and the frustration we both faced the first few weeks of his kindergarten year were enough to make me wish I’d had him tested sooner.

  1. Common Indicators of Dyslexia
  • Delay in Speech While children typically start saying words by one year and phrases by 18 to 24 months, a delay could indicate dyslexia.
  • Trouble with Pronunciation This can manifest itself as baby talk, the right syllables pronounced in the wrong order, or whole syllables (such as the beginning of words) not being pronounced at all.
  • Inability to Rhyme Because they have a hard time separating phonemes, dyslexics may not be able to ascertain what rhymes and what doesn’t because they are not able to distinguish what the last sound of a word is.
  • Talking Around a Word If your child is a regular Mrs. Malaprop, that’s another indicator. Two examples that Shaywitz uses are lotion used in place of ocean and tornado used in place of volcano. The children who made these mistakes knew exactly what they were trying to say, but they simply could not recall the proper word. (This can be very embarrassing in dyslexic adults when speaking publicly.)
  • Difficulty in Learning the Alphabet They may be able to sing their ABC’s, but when shown the actual symbols that match the sounds, dyslexics may not be able to identify them.
  • Inability to Learn by Rote While dyslexics generally have strong math skills, when it comes to rote memorization of times tables, they may suddenly have trouble. The same goes for memorizing words that don’t follow the rules, people’s names, place names, and even phone numbers. I wondered, since dyslexia is a phoneme problem, why dyslexic people often dial the wrong phone number – especially since they’re often so good at math. It’s not because they can’t see the difference between the numbers but because those seven numbers seem random. There was no logical way to arrive at them (as in the answer to a math problem).
  • Inability to Focus While Reading Especially in a noisy classroom or study hall, a dyslexic person may not be able to complete a homework task because she needs quiet to be able to concentrate. Dyslexics use a lot more brain power to get the job done, so it’s harder for them to focus.
  • Discomfort When Reading Aloud Some kids will act out or fake being sick when asked to read aloud because it’s so uncomfortable for them. They may even be misjudged as ADHD by a parent or teacher, but the problem here isn’t inattention but discomfort. Be sensitive to dyslexic people when they ask not to read aloud.
  • Misspelling Even if a dyslexic person is able to read difficult words, do not expect him to spell those same words from memory. In the same manner, if shown a new word out of context, he may not be able to read it, even if it seems simple to a non-dyslexic person.
  • Terrible Handwriting This is another tell-tale characteristic of many dyslexics. The word processor is the dyslexic person’s best friend.

A dyslexic person may exhibit only a few of the above – or may have other indicators not mentioned. But if your child or someone you know shows a number of these, it would be prudent to have him or her tested for dyslexia.

  1. Common Strengths of Dyslexic People

In addition to the individual “sea of strengths” that dyslexic people have, there are common strengths that most dyslexic people share. Many dyslexic children fly under the radar because they are extraordinary auditory learners. They can hear a passage read aloud and memorize it, therefore making their teachers believe they’re reading. They are also usually skilled at math, and they are very creative. (Now, don’t worry if your child doesn’t fit this model 100%. Peter is a poor auditory learner, but kinesthetically, he’s off the charts. And I know some dyslexics who also aren’t skilled at math.)

What marks dyslexics as different than other poor readers is their reading comprehension skills, which are intact. Let them hear a book (instead of making them struggle with decoding all those words), and then open a discussion with them, and you will find that they understand the text just as well (or better) than a fluent reader. When dyslexics are not hindered by people who misjudge them, they are able to prove themselves just as capable as fluent readers, and many successful dyslexics wouldn’t have it any other way because they can easily think outside the box, unlike colleagues who never had to struggle to read.

  1. How to Help Dyslexic People in School and Beyond

The Orton-Gillingham approach of scientifically-based instruction is what Shaywitz recommends for dyslexic children. Although she lists many different ways in which parents can help their dyslexic children at home, having one-on-one instruction with a tutor who is trained in this systematic and structured method is what really helps. (Peter’s tutor uses Barton, which utilizes Orton-Gillingham and has been very beneficial to him.)

There’s also good news for dyslexic adults who have gone undiagnosed: there are programs for adult literacy, and although they do require a commitment of time, they produce dividends that improve quality of life. Many undiagnosed adults either flunked or dropped out of school and, thus, have few options for employment because of their inability to read. It’s not that they’re unintelligent, just that they were never given the proper instruction for the way that their brains are wired.

Recording for the Blind and Dyslexic (RFB&D) of Princeton, New Jersey provides audio copies of books, so dyslexics can listen to their material and follow along with the hard copy. Requesting more time and a quiet room for multiple choice exams is also a must, although oral or essay tests are preferable. (As Shaywitz and so many others have pointed out, these multiple choice tests really only prove how proficient people are at test-taking.) Shaywitz lists a number of computer programs that help dyslexics, as well as study tips. In a world that is not very friendly to dyslexics, there are still ways in which they can excel.

In Conclusion

There are so many more points that I wish I could list, but this post is already very long. Please, if any of this rings true for your child or someone you know, get the book! It’s scientifically-based, and one of the many case studies included may remind you of someone you know. I know the first one I read almost made me cry because it sounded so much like my son and reminded me of his early struggles.

The great news is that there is help. As I said, Peter is being tutored in an Orton-Gillingham program, Barton. After not quite five months, his reading has improved more than my husband and I ever thought possible. Over the summer, I saw that one of his friends was reading at a level two, and Peter struggled to get through “My First” books. Now, he can pick up a level two or even books that aren’t leveled readers.

Last week, we took turns reading a Magic Tree House book aloud – Peter was even the one who volunteered to read. About halfway through a chapter, he said, “Chapter books are fun!” I couldn’t agree more, buddy.

Punctuation: It’s More Than Emoticons

Punctuation Cookies For National Punctuation Day

Punctuation Cookies For National Punctuation Day (Photo credit: DavidErickson)

In Lynne Truss’s Eats, Shoots & Leaves, she has a particular problem with emoticons – you know, the colons and parentheses that make sideways smileys, as she calls them. I admit that I use them, but only for fun. I certainly don’t include them in cover letters or resumes. But there is a whole generation of kids right now who, without proper education, might never know that the colon has an actual use within a sentence.

Anyone interested in punctuation has a dual reason to feel aggrieved about smileys, [Truss writes,] because not only are they a paltry substitute for expressing oneself properly; they are also designed by people who evidently thought the punctuation marks on the standard keyboard cried out for an ornamental function. What’s this dot-on-top-of-a-dot thing for? What earthly good is it? Well, if you look at it sideways, it could be a pair of eyes. What’s this curvy thing for? It’s a mouth, look! Hey, I think we’re onto something.

: – (

Now it’s sad!

; –)

It looks like it’s winking! (193)

Why should we care, though? Why bother continuing to fight what seems a losing battle? Truss puts it pretty well early in her book.

The reason it’s worth standing up for punctuation is not that it’s an arbitrary system of notation known only to an over-sensitive elite who have attacks of the vapours when they see it misapplied. The reason to stand up for punctuation is that without it there is no reliable way of communicating meaning. Punctuation herds words together, keeps others apart. Punctuation directs you how to read, in the way musical notation directs a musician how to play. (20)

As a musician, I get it. Anyone who’s ever read lines from a script gets it, too. But what about everyone else, those who consider punctuation so much debris on the page? Think about ancient Hebrew, in which there was no punctuation, nor were there spaces between words – not even vowels! There have been nasty fights over translations of the Bible because of this. But by the time we began printing, we’d devised ways to help readers decipher the meaning of what they were reading. All these little marks, the periods and colons and dashes and hyphens, are aids; they’re here to help us.

When did things begin to fall apart? Truss gives her opinion on the matter, one well worth noting:

But to get back to those dark-side-of-the-moon years in British education when teachers upheld the view that grammar and spelling got in the way of self-expression, it is arguable that the timing of their grammatical apathy could not have been worse. In the 1970s, no educationist would have predicted the explosion in universal written communication caused by the personal computer, the internet and the key-pad of the mobile phone. But now, look what’s happened: everyone’s a writer!

[. . .] People who have been taught nothing about their own language are (contrary to educational expectations) spending all their leisure hours attempting to string sentences together for the edification of others. And there is no editing on the internet! (16-7)

That’s right; there are a lot of people claiming to be writers – educated people! – who make absolute fools of themselves online. Since anyone with access to a computer could be a virtual writer now, it is more important than ever to know the rules. How many times have you misread an e-mail because it’s just so hard to decipher tone and meaning via electronic communication? At least if the punctuation is right, that will go a long way toward making the meaning clearer.

After we learn the rules, we can flex our artistic muscles and enhance our writing with the stylistic uses of punctuation, as Noah Lukeman points out in A Dash of Style: The Art and Mastery of Punctuation. As I mentioned two posts ago, the only form of punctuation that he doesn’t cover is the apostrophe. He even considers paragraph breaks as a form of punctuation. And the way you apply (or don’t) all the different forms of punctuation tells something about you, the writer.

The semicolon, for instance. Aside from the winky face, what good is it? A semicolon separates two independent clauses when a comma and conjunction just don’t do the trick, and when two sentences separate those thoughts a little too much. But writers could choose one of the alternatives I’ve just listed and still be technically correct. Truss says that newspapers don’t use it,

[T]he official reason being that readers of newsprint prefer their sentences short, their paragraphs bite-sized and their columns of type uncluttered by wormy squiggles. It’s more likely that the real reasons are a pathetic editorial confusion about usage and a policy of distrusting contributors even when they demonstrably know their onions. (110)

Ouch. And Lukeman’s take is that

Artistically, the semicolon opens a world of possibilities, and can lend a huge impact. In this sense, it is the punctuation mark best suited for creative writers[. . .]

We use the semicolon for the same reason we trade cement floors for marble: cement floors are equally functional but not as elegant, not as aesthetically pleasing as marble. The semicolon elevates punctuation from the utilitarian (from punctuation that works) to the luxurious (to punctuation that transcends). Business memos do not need semicolons; creative writers do. (70)

It follows that creative writers are artists and might decide to get flowery with their punctuation, but I can easily imagine academic writers turning up their noses at such a notion. There are, however, necessary punctuation marks that everyone has to use, so it’s important to learn about them – and how to keep from overusing them. Lukeman subtitles a portion of his last chapter “Use Sparingly,” and included in this section are the question mark, exclamation point, italics, ellipses (you know: . . .), and the hyphen. Most of these make sense, but the question mark? It’s supposed to come at the end of a question, right? I mean, it wouldn’t be right to end a question with a period (although that doesn’t stop people from trying). In the publishing world, Lukeman says,

[A] publishing professional is looking to reject a manuscript as quickly as he can. [. . .] And an abundance of question marks in the first pages  [. . .] nearly always indicates amateur or melodramatic writing. For some reason, the poor question mark gets seized upon by the writer who is desperate to immediately hook the reader in a cheap way. (184)

Likewise, the exclamation point

[C]an be painfully misused. Like the question mark, it can be used as a crutch to create a heightened sense of drama, can be transformed into a screaming car salesman. As a rule, if you need an exclamation point to make a scene come alive, then you better reexamine that scene. (187)

I do like an example that Truss cites, however, that wouldn’t be possible without these two marks. She mentions “the French 19th-century novelist Victor Hugo, who – when he wanted to know how Les Miserables was selling – reportedly telegraphed his publisher with the simple inquiry ‘?’ and received in the expressive reply ‘!'” (136).

Those of us who care enough to properly and painstakingly choose between semicolons and colons must first learn the rules (and when to break them) and unite with fellow sticklers. I’m waving my electronic hand here, trying to catch the attention of anyone else who cares. As Truss says,

[M]y personal hunches about the state of the language were horribly correct: standards of punctuation in general in the UK are indeed approaching the point of illiteracy; self-justified philistines (“Get a life!”) are truly in the driving seat of our culture; and a lot of well-educated sensitive people really have been weeping friendlessly in caves for the past few years, praying for someone – anyone – to write a book about punctuation with a panda on the cover. (xix-xx)

Truss’s book has a lot of answers, as well as Lukeman’s (and he covers much more than I’ve been able to do here). Three other books that I highly recommend because they have greatly helped me with the craft are the old standby, Strunk and White’s The Elements of Style (4th Edition), Anne Lamott’s Bird by Bird: Some Instructions on Writing and Life, and (believe it or not) Stephen King’s On Writing: A Memoir Of The Craft.

And I’ll let Noah Lukeman have the final word on making the case for proper punctuation:

[L]et your punctuation unfold organically, as the text demands. Punctuation should never be forced on a text, never be brought in to rescue you from confusing sentence construction. It is not here to save – it is here to complement. This is an important distinction. The sentence itself must do the work. If it does, the punctuation will coexist seamlessly, and you will never  have an awkward struggle to squeeze in a dash, or make a semicolon work. If you find yourself having a struggle, reexamine your sentence structure, your word choice. More likely than not, you will need to rewrite, not repunctuate. [. . . I]n the best writing the punctuation is seamless, invisible, at one with the text. It will never stand out. You know you are punctuating the best you possibly can when, ironically, you don’t even know it’s there. (200)

Where the Heck Do I Put This Comma?

The punctuation mark comma

Comma (Photo credit: Wikipedia)

I know I’ve been harping on about grammar and punctuation a lot lately, but I am of the school of thought that if you are from an English-speaking country, you should have a firm grasp of the English language and usage. It is a sad commentary on society that many foreigners go to great pains to learn English, and accents or no, they grasp the ins and outs of our language better than a great number of us. Granted, English (being the mess that it is) is one of the most difficult languages to learn, but that’s no excuse.

I concentrated on the apostrophe last week, and Lynne Truss’s Eats, Shoots & Leaves, but this week I’m also going to let Noah Lukeman, author of A Dash of Style: The Art and Mastery of Punctuation, chime in as well.

Eats, Shoots & Leaves is for those of us who are sticklers, the die-hard punctuation freaks who are ready to defend the likes of commas and semicolons to the death. Truss also addresses style with a bit of history and humor thrown in. She has the unique perspective of a British editor, and she points out the differences and similarities between British and American punctuation. Lukeman, an American writer and literary agent, sticks to style; he assumes that we come to the page with the knowledge, and now we need to apply it. As such, I’ll let Truss go first, then allow Lukeman to round out the conversation. And since I gave the apostrophe so much time last time, I thought I’d give the same amount of space to the comma here.

Following is an example from Truss’s book about how punctuation can change the meaning of a string of words:

A woman, without her man, is nothing.
A woman: without her, man is nothing. (9)

Rearrange the commas and add a colon, and you have two completely different ideas.

Unlike the apostrophe, however, there is no neat little list of all the rules of comma usage. Although there are some hard and fast rules (as in always placing a comma between city and state: Jacksonville, Florida), many “rules” can be ignored and are merely there to satisfy the desires of some writers and editors. I’m kind of a “the more the merrier” kind of gal, whereas Lynne Truss uses commas less frequently. There is a purpose for commas, though, no matter how tricky that purpose is to define and apply.

More than any other mark, [Truss writes] the comma draws our attention to the mixed origins of modern punctuation, and its consequent mingling of two quite distinct functions:

1 To illuminate the grammar of a sentence

2 To point up – rather in the manner of musical notation – such literary qualities as rhythm, direction, pitch, tone and flow

[. . .] On the page, punctuation performs its grammatical function, but in the mind of the reader it does more than that. It tells the reader how to hum the tune. (70-1)

I identify with Truss’s musical notation explanation because I am a musician as well as a writer. When you consider it that way, it seems so sensible. Why not allow it to do its job and aid the written word? After all, when we talk, we speak with inflection, and most of us don’t run all of our words together. But if you were to read a long sentence (such as this one), full of twists and turns and various types of clauses, without the aid of inner-sentence punctuation, you would find quite a mess. You might have to puzzle over a jumble of words several times before getting the emphasis just right. Commas can help.

Truss gives another analogy for the job of the little hooky-looking thingy that we know and love (but often misuse):

[B]etween the 16th century and the present day, [the comma] became a kind of scary grammatical sheepdog. As we shall shortly see, the comma has so many jobs as a “separator” (punctuation marks are traditionally either “separators” or “terminators”) that it tears about on the hillside of language, endlessly organizing words into sensible groups and making them stay put: sorting and dividing; circling and herding; and of course darting off with a peremptory “woof” to round up any wayward subordinate clause that makes a futile bolt for semantic freedom. Commas, if you don’t whistle at them to calm down, are unstoppably enthusiastic about this job. (79)

Yeah, I am a wee bit guilty of letting my commas become unstoppably enthusiastic. You know that pesky Oxford comma? It’s the one in series that goes just before the “and”; it’s the last comma in: “I had an omlet, hashbrowns, and mixed fruit for breakfast.” My parents and I have many unresolved fights about this one. I’m right and they’re wrong. Except that they’re right and I’m wrong because I’m younger, and nothing I read (including Strunk & White) can refute their education. Doesn’t matter that I’m the editor. Well, as it turns out, we’re all right because the Oxford comma is optional. There are cases when it assists the clarity of a sentence. You could have lemonade, chicken fingers and macaroni and cheese (without the Oxford comma), or you could have lemonade, chicken fingers, and macaroni and cheese (with). Since “macaroni and cheese” is considered one item in that series, the comma helps tell the reader where the series will end. Okay, enough about that. You’re either going to be with me or against me (or likely not care at all).

There is one rule that Truss spells out quite clearly, and with which I hope we can all agree. And if you don’t get it. . . well, then you’re on your own, I’m afraid. “The big final rule for the comma is one that you won’t find in any books by grammarians. It is quite easy to remember, however. The rule is: don’t use commas like a stupid person. I mean it” (96). Yes, ma’am. She gives several examples, and my favorite is, “Leonora walked on her head, a little higher than usual.” If you ever see me write something like that, know that I’ve been abducted, and some doppelganger imposter has taken over.

So once you’ve figured out where to place that little bugger, Lukeman is the guy sitting in the plush chair with the notepad, watching you with one eyebrow raised, ready to help you discover what your comma placement means.

While Truss likens punctuation to musical notations and commas to sheep dogs, Lukeman borrows a quote from journalist Russell Baker that I like just as much. “In writing, punctuation plays the role of body language. It helps readers hear you the way you want to be heard,” Baker says (28). A proliferation of commas or a complete lack of them not only guides the reader in hearing pauses (or not) in a phrase, but it shows something about the author, as well.

Knowing that I have a little problem with overindulging in commas, I was a bit anxious when I got to the part about what that means. I suppose it’s a bit like a literary horoscope.

The writer who overuses commas [Lukeman writes] tends to also overuse adjectives and adverbs. He tends to be repetitive, won’t be subtle, and often gives too much information. He grasps for multiple word choices instead of one strong choice, and thus the choices he makes won’t be strong. His language won’t be unique[. . .] This writer will need to simplify, to take a stronger stance, and to understand that less is more. (65-6)

Gulp. Okay, I suppose I am guilty yet again, although ever since taking multiple fiction workshops with my good friend Mark Ari many years ago, I’ve gotten much better about tightening my prose and losing adjectives and especially adverbs. I guess the commas are leftover scars, and I’m doing my best to remedy their use, while maintaining my own style.

But never fear, Lukeman also addresses those who don’t like commas.

There are two types of writers who underuse commas: the first is the unsophisticated writer who has not developed an ear for sentence rhythm. He is unable to hear fine distinctions, and thinks writing is solely about conveying information. (66)

Phew! Thank goodness that’s not me. Actually, I know I am also guilty of info dumping, especially in my early writing days. It’s something that I think many beginning writers fight – or don’t fight, if they lack proper instruction and criticism – and I see it all the time.

The second [type of writer, Lukeman continues,] is the sophisticated writer who (like Gertrude Stein) has an aversion to commas and underuses them on purpose [. . .] The danger for these writers is the rare problem of overestimating the reader [. . .] There is a need for marks – especially commas – to indicate ebbs and flows, pauses and pitch, division of clauses and meaning. The writer who ignores this is the writer who writes for himself, not with the reader in mind. He will not be a commercial writer, or plot oriented, but prose oriented, interested in nuances of style – but to a fault. (66)

This, I think, is where it’s handy to remember the image of the comma as the helpful sheep dog.

So if you scrutinize your comma usage, where do you fall? Are you scared that you don’t get your point across, using too many descriptions? Or do you just let it all flow and let the reader fend for himself? As with everything, I think a little moderation is in order here. Let the reader use his imagination a little, but don’t forget to leave a few cues along the way.