I don’t talk enough about the musical influences in my life. I know it’s all books-this and writing-that, but I really wouldn’t be the well-rounded individual that I am (ha) without the music in my life.
There are times when music surprises me; a song that I’ve heard many times will suddenly awaken a creative something within me. Since I’m a writer, that “something” is usually a scene in a book I’m writing. Sometimes it’s the “aha!” moment I’ve been waiting for. Other times (like what I posted about most recently), a novel almost gets derailed by a new scene that I never would have imagined, were it not for hearing the right song at the right time.
Then there are other times that music doesn’t necessarily evoke a specific image or scene, yet it fulfills some emotional (and I would go as far as to say spiritual) hole and leaves me pleasantly full and happy, even energized.
What brings all this up? Well, I’m kind of riding a high from attending an evening of uplifting, choral music. A boring way to spend a Friday night, right? Well, not if I got chills during the first song (I did) and can’t stop thinking about the sound and the joy on the faces of the singers (I can’t).
You see, that’s how it is in this relationship I have with music. Many songs or musical events become a part of what I think of as the soundtrack of my life. (Don’t worry, as a writer, I sometimes narrate my life, too, but today it’s all about the music.)
For instance, any time I hear “The Sign” (Ace of Base), I’m overcome with nostalgia – it’s the title song of my first CD. The same goes for Alanis Morisette’s Jagged Little Pill; I bought that CD in the seventh grade, and so did my husband. It’s part of our middle school soundtrack.
And so it continues: musicals I participated in as a teenager, such as Annie and Fiddler on the Roof; Metallica’s S&M CD (one of the best Christmas presents Thomas ever bought); our first System of a Down CD, which we bought and listened to when we drove to a Gator football game; the mix CD Thomas’s brother burned for us a couple days before we got married, so we listened to it everywhere we drove on our honeymoon. And our wedding itself contained a mini-concert. Some people told me it was a long ceremony because of all the music. But we’re musical people. Thomas’s grandfather was in a band. My mom’s mom and dad’s dad were both organists. It’s in our DNA.
So I’m raising my kids right, making them listen to “Bohemian Rhapsody” and “Thriller” wherever we go. (Hey, I also downloaded “Let It Go” – don’t worry.) I’m helping them create their own soundtracks.
Most recently, I’ve discovered Rachael Sage; her single “Happiness (Maddie’s Song)” just came out on iTunes. I heard it once and couldn’t stop humming it for a couple days. And then there’s Pentatonix. I love it when someone posts one of their new songs on Facebook – which I’ll watch over and over, to my children’s chagrin. And Bastille – who doesn’t dig a rocker with a cool British accent?
Every new song, every concert, is a possible source for inspiration, but it goes deeper than potential best-selling novel ideas (as nice as they are). Songs are little triggers. I can hear one in the grocery store and be transported back to the fourth grade. Or remember the last concert I attended with a friend before she passed away. They’re pieces that may not always seem to go together – discordant, you might say – yet they make up the puzzle of me. And as strange as it may seem to hum classic rock in the store, listen to folk songs in the car, and spend an evening listening to choral music, I totally dig the big picture.
And it just keeps getting bigger. But I wouldn’t call that a bad thing.